Funeral March (Marche Funebre), Op. 35 (arr. Kevin Olson) Sheet Music Preview

Funeral March (Marche Funebre), Op. 35 (arr. Kevin Olson): Piano Duet

Arranged by Kevin Olson

Item: 35-DS01090755

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Additional Details
Publisher: Hal Leonard
Page Count: 6
SKU: 35-DS01090755

More about this title

Why we love this

Kevin Olson's arrangement captures the gravitational weight of Chopin's original while making it accessible for pianists who want to tackle serious repertoire without the virtuosic demands of the solo version. The six pages strike a balance between honoring the composition's architectural integrity and creating an arrangement that rewards careful practice rather than requiring Olympic technique.

What to expect

A processional unfolding with measured solemnity. The piece moves with the inevitability of ritual, its harmonic language shifting beneath a steady forward momentum that feels both mournful and strangely affirming.

Who it's for

Pianists working at the intermediate to early advanced level who want to explore the Romantic era's most poignant works. This arrangement serves teachers seeking repertoire that builds interpretive maturity alongside technical skill.

How to get the most out of it

  • Shape the opening march rhythm with subtle weight on the downbeats rather than forcing dramatic dynamic swells; let the harmonic progression carry the emotional arc.
  • Maintain an unhurried tempo that allows listeners to feel each phrase breathe. This piece demands space between musical thoughts.
  • Pay attention to pedal changes at section breaks to avoid muddying the harmonic transitions that define the piece's forward motion.

How to use it

Consider programming this for recitals exploring Romantic keyboard music or for Halloween concerts that take a thoughtful rather than theatrical approach to the season. It pairs well with other 19th century works and provides a complete standalone selection for shorter recital slots.

Skills your students will build

  • Sustaining lyrical phrasing across longer melodic arcs
  • Balancing accompaniment texture with a singing melodic line
  • Controlling tempo flexibility within a march framework
  • Interpreting harmonic shifts as structural signposts

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