Fully Alive Sheet Music Preview

Fully Alive: E-Z Play Today

As performed by Bill & Gloria Gaither

Item: 35-DS00450106

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$4.99
Description

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Additional Details
Publisher: Hal Leonard
Page Count: 2
SKU: 35-DS00450106

More about this title

About the Artist: Bill & Gloria Gaither

Bill and Gloria Gaither stand as central figures in modern gospel music, having shaped the sound of contemporary Christian worship across five decades. Their songwriting emphasizes accessible melodies paired with lyrics rooted in faith and personal testimony, making their work staple repertoire in churches and concert halls worldwide.

As educators through their music, the Gaithers have consistently created pieces that invite participation rather than demand virtuosity. Their approach to composition values singability and emotional authenticity, qualities that have made their catalog invaluable for music directors building community-centered programs.

Why we love this

This arrangement captures what makes Gaither songs so effective in performance: a melody that sits naturally in the voice, harmonic movement that supports rather than complicates, and a direct emotional core. The E-Z Play format removes barriers for pianists who want to accompany singers without wrestling with dense voicings or complex rhythms.

What to expect

Warm and grounded, with the kind of straightforward beauty that invites listeners in rather than overwhelming them. The piece breathes with the cadence of honest faith expression, neither overly sentimental nor austere.

Who it's for

Church musicians and school choir directors who need reliable, singable repertoire that translates across performance settings. Pianists accompanying vocalists will find the E-Z Play format practical for learning or sight-reading during rehearsals.

How to get the most out of it

  • Keep the tempo steady and unhurried; gospel phrasing comes from tasteful rubato within a stable pulse, not from dragging the beat
  • Listen closely to how the melody breathes; allow slight space at phrase endings rather than rushing into the next line
  • Support the vocal line with balanced touch; this arrangement works best when the piano underscores the words rather than competing with them

How to use it

Slot this into a concert of sacred music where you want a moment of genuine connection rather than spectacle. It works equally well as a congregational sing or as a vocal feature with piano accompaniment, making it flexible for spring concerts, services of worship, or community singing events.

Skills your students will build

  • Accompanying singers while maintaining independent rhythmic integrity
  • Responding to vocal phrasing and breath
  • Playing with dynamics that serve text rather than virtuosity

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