Full Tilt: Concert Band Conductor Score & Parts
By Richard L. Saucedo
Grade: 5
Item: 35-PK00120967
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About the Composer: Richard L. Saucedo

Richard L. Saucedo shaped the concert and marching arts landscape during his 31 years as Director of Bands and Performing Arts Chairman at Carmel High School in Indiana. His programs earned state, regional, and national recognition across multiple disciplines; the Wind Symphony performed at the Music for All National Festival three times and claimed the Indiana State Championship in 2013, while the Marching Greyhounds appeared in the top ten at the Bands of America Grand Nationals for 17 consecutive years, capturing national titles in 2005 and 2012. Saucedo received Indiana's Bandmaster of the Year award in 1998-99 and was inducted into both the Music for All Hall of Fame (2015) and the Drum Corps International Hall of Fame (2022).
Since retiring in 2013, Saucedo has expanded his work as a freelance arranger and composer while serving as music ensemble coordinator for the Blue Devils Drum and Bugle Corps and as a Senior Educational Consultant for Music for All and Bands of America. His compositions span marching bands, concert ensembles, choral groups, and orchestras. He holds membership in the American Bandmasters Association and serves as Chief Judge Team Leader for Bands of America competitions.
Why we love this
Saucedo has written an opener that actually opens. The mixed meters and shifting orchestrations demand attention without asking for excessive rehearsal time, and the three and a half minutes pack genuine excitement. Band directors know a reliable concert opener is worth its weight in gold, and this one checks all the boxes: energetic, harmonically interesting, and shaped by someone who understands what works on the stage.
What to expect
Propulsive and inventive. The piece charges forward with rhythmic drive while the harmonic language keeps listeners engaged; orchestrational surprises arrive without feeling gimmicky. It feels composed by someone who knows what a band can do and what an audience wants to hear.
Who it's for
Grade 5 bands that have the technical facility to handle mixed meters and the musical maturity to embrace harmonic color. This works equally well for groups seeking a high-energy concert opener or those wanting a single work that showcases both rhythmic precision and creative arranging.
How to get the most out of it
- Balance the rhythmic vitality by keeping articulations clean and precise across the sections; muddiness will undercut the piece's forward momentum
- Lean into the mixed meter transitions with clear conducting and intentional tempo stability so students lock in rather than tentatively feeling their way through
- Let the unique orchestrational moments breathe without over-rehearsing them into blandness; freshness is part of the appeal
How to use it
Open your concert with this. It arrives fast, makes an impression, and clears the stage quickly for your next selection. The piece also works as a centerpiece in a program exploring contemporary compositional approaches to the concert band medium.
Skills your students will build
- Reading mixed meters (alternating between simple and compound divisions)
- Balancing articulation and tone across rapid rhythmic passages
- Responding to varied orchestrational textures and doublings
- Ensemble synchronization under shifting harmonic motion