Frosty the Snowman Cover Image

Frosty the Snowman: Jazz Ensemble Conductor Score

$7.00 USD
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Frosty the Snowman Cover Image

Frosty the Snowman: Jazz Ensemble Conductor Score

Words and music by Steve Nelson and Jack Rollins / arr. Mike Lewis

Grade: 2 (Medium Easy)

Item: 00-JEM01014C

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Description
This holiday classic is always a favorite of young people, and Mike Lewis' swinging jazz chart is ideal for the younger band. Mike has come up with some clever ideas for this one, yet this chart will require only minimal rehearsal time. No solos and easy brass ranges along with some funky riffs will score big with the band and the audience. A solid chart for your holiday concert!

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Additional Details
Series: Young Jazz Ensemble
Publisher: Alfred Music
Page Count: 12
UPC: 654979195146
SKU: 00-JEM01014C

More about this title

About the Composer: Steve Nelson

Steve Nelson composed "Frosty the Snowman" with lyricist Jack Rollins in 1950, creating one of the most enduring holiday standards in American popular music. Nelson's gift for memorable melody and straightforward harmonic language made the song instantly accessible to performers and audiences alike, contributing to its place in seasonal repertoires across generations.

Why we love this

Mike Lewis strips away the sentimentality and gives this familiar tune genuine swing. The chart respects what makes the melody great while adding funky riffs and clever voicings that feel fresh rather than nostalgic, making it genuinely fun for young players to perform and audiences to hear again.

What to expect

The piece bounces with casual confidence, never losing sight of the melody's warmth while keeping things rhythmically playful. Funky touches and clever riff work give it contemporary swagger without demanding virtuosity, creating a performance that feels both recognizable and genuinely swinging.

Who it's for

This score is built for conductors leading Grade 2 jazz ensembles who want a holiday favorite that doesn't demand extensive preparation time or advanced technical demands. It works equally well for experienced middle school programs or newer high school jazz groups looking for a performance winner that respects young players' abilities.

How to get the most out of it

  • Nail the rhythmic pocket early in rehearsals. The funky riffs only land if the section feels locked together, so isolate rhythm section work before bringing in the melody.
  • Keep the brass tone clean and light. "Easy" ranges don't mean heavy or forced; young players often need reminding that lighter articulation and air support carry the swing feel better than muscling.
  • Let the arrangement breathe during quieter moments. With minimal solos and straightforward voicings, dynamics become your tool for keeping energy fresh across the performance.

How to use it

Slot this into your winter concert's second half as an audience energy boost. It lands well after more serious concert fare and gives your ensemble a chance to show personality without the rehearsal burden of more demanding holiday arrangements.

Skills your students will build

  • Reading and executing jazz articulation and swing feel
  • Balancing melody-driven sections with supporting riff work
  • Coordinating ensemble rhythmic tightness without a dedicated rhythm section feature
  • Managing dynamic contrast within accessible ranges

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