Frosty Hand Jive Cover Image

Frosty Hand Jive: Choral Octavo SoundTrax CD

$27.99 USD
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Frosty Hand Jive Cover Image

Frosty Hand Jive: Choral Octavo SoundTrax CD

Based on "Frosty the Snowman"

Words and music by Steve Nelson and Jack Rollins / "Hand Jive" and arrangement by Jill Gallina

Item: 00-CDM05033

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Description
Frosty is truly a part of every holiday season. Here's a hand jive for your holiday program that includes "Frosty the Snowman". It'll be fun for everyone!

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 654979093268
SKU: 00-CDM05033

More about this title

About the Composer: Steve Nelson

Steve Nelson co-wrote "Frosty the Snowman" with Jack Rollins in 1950, creating one of the most enduring holiday standards in American music. His gift for crafting memorable melodies and accessible seasonal material made him a fixture in holiday programming for decades, and his songs remain staples in choral and popular music contexts.

Why we love this

This arrangement captures the playful energy of a hand jive while anchoring itself in a beloved melody that every audience member recognizes. The novelty format keeps rehearsals engaging and gives your singers a chance to move and perform with real personality, making it an ideal closer or mid-concert lift for a holiday concert.

What to expect

Lighthearted and infectious, with a retro pop sensibility that invites the audience in. The hand jive brings a tactile, almost participatory energy to the familiar melody, creating a moment of pure entertainment that feels both nostalgic and fresh.

Who it's for

This arrangement is ideal for middle school through adult choirs looking for holiday material with high engagement and audience appeal. Directors seeking a fun, movement-based piece that doesn't require extensive rehearsal time will find this accessible and rewarding.

How to get the most out of it

  • Teach the hand jive choreography early in rehearsals and separate from the singing until both are secure; once integrated, run them together repeatedly so the gestures become automatic and singers can focus on blend and intonation.
  • Use the recorded accompaniment in sectionals to help singers hear their parts in context; this also gives you freedom to step back and coach choreography without playing.
  • Lock in the rhythmic precision of the hand jive as a group before emphasizing any vocal nuance; the physical synchronization is what sells the novelty.

How to use it

Position this as a concert highlight or finale to capitalize on its energetic, feel-good nature. It works beautifully in a holiday pops program or as a palette cleanser between more serious holiday selections.

Skills your students will build

  • Rhythmic precision and coordination between singing and choreography
  • Part independence in a novelty arrangement with movement elements
  • Performance confidence and stage presence through physical commitment

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