Front and Center Sheet Music Preview

Front and Center: Concert Band Conductor Score & Parts

By Robert Buckley

Grade: 4

Item: 35-PK00306613

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Description
Famed bandmaster Arthur Delamont always started his concerts with a rousing overture, and "Front and Center" is in this proud tradition. In a non-stop 9/8 rhythm, this piece explodes with energy and effervescence. Full of powerful fanfares, lively melodies, driving percussion and dynamic contrasts, this exciting concert opener moves through different musical colors without ever losing its relentless drive. An exhilarating tour-de-force showcasing all sections of the band! "Front and Center" is the first movement of "A Tribute to Arthur Delamont" and was commissioned by the West Vancouver Youth Band. Dur: 3:15

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00306613

More about this title

Why we love this

Robert Buckley captures the spirit of the classic concert opener without relying on tired formulas. The insistent 9/8 meter is the real star here; it creates forward momentum that feels urgent and fresh, giving your band a rhythmic anchor that players actually care about executing cleanly. This is a piece that sounds more impressive than it sits on paper, which is exactly what concert openers should do.

What to expect

Controlled chaos. The 9/8 rhythm propels the piece forward with relentless energy while fanfares announce each new idea. You hear the fingerprints of traditional band writing, yet the shifting colors and dynamic sweeps keep everything vital and moving.

Who it's for

Concert bands at the Grade 4 level looking for a legitimate opener that challenges rhythm reading without stopping the show. This works for festivals, competitions, or standalone concerts where you need to capture attention in the first thirty seconds.

How to get the most out of it

  • Lock the 9/8 pulse early in rehearsal by having the rhythm section establish it as a foundational groove rather than counting it as a march. Once players feel the meter as a living thing, the piece's energy multiplies.
  • Balance the fanfares carefully across sections. They need brightness and cut, but not at the expense of articulation. Mark specifically where you want crisp releases versus where the sound can bloom.
  • Clarify the dynamic contrasts in rehearsal by talking about them functionally. Each shift to a new color should feel intentional, not just loud or soft. Your players will track the journey better when they understand what each section is communicating.

How to use it

Open your next concert or festival appearance with this. Its three-minute runtime and high-voltage character make it the ideal first impression, setting a tone of confidence and musicality that carries into whatever follows. Pair it with a contrasting slower work to show your band's range.

Skills your students will build

  • Reading and performing in mixed meters, particularly maintaining 9/8 feel
  • Articulation clarity under driving tempos
  • Dynamic contrast execution across multiple sections
  • Ensemble balance with sustained fanfare figures
  • Rhythmic precision in non-traditional meters

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