From the Emerald Isle Cover Image

From the Emerald Isle: Intermediate Piano Book

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From the Emerald Isle Cover Image

From the Emerald Isle: Intermediate Piano Book

By Melody Bober

Item: 98-FJH1237

$8.50
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Description
Contents include: Wexford Reunion; Ballade for Belfast; Summer on the Shannon; and Killarney's Jig.

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Additional Details
Series: Composers In Focus
Publisher: The FJH Music Company, Inc.
ISBN10: 1-56939-161-0
ISBN13: 978-1-56939-161-7
UPC: 674398204397
SKU: 98-FJH1237

More about this title

About the Composer: Melody Bober

Melody Bober

Melody Bober brings two decades of public school teaching experience into every piece she writes, grounded in a formal education that includes a bachelor's degree in music education from the University of Illinois and a master's degree in piano performance from Minnesota State University, Moorhead. Her teachers, Joel Shapiro and Andrew Froelich on piano, Mary Hoffman in music education, and Tony Caramia in jazz, shaped an approach to composition that prioritizes both musical substance and student engagement. Beyond her private studio, she has directed church music programs and taught at the university level, making her an active clinician frequently invited to piano teacher conventions and workshops across North America.

Bober's music emerges from direct knowledge of what intermediate students need: pieces that build confidence, expand their technical range, and genuinely excite them to practice. Her work as a church pianist and accompanist informs the accessibility and warmth present in her compositions. She lives in Minnesota with her husband Jeff.

Why we love this

Bober captures the character of Irish music without relying on stereotypes or oversimplification. Each piece in this collection has genuine melodic substance and harmonic interest that hold up under repeated listening, which means your students will actually want to play them. The writing respects intermediate pianists' growing independence while remaining playable without excessive technical demands.

What to expect

Sunlit and convivial. These pieces carry the warmth of traditional Irish music, its melodic generosity and rhythmic vitality, but through Bober's lens as a trained composer, which adds harmonic sophistication and structural clarity. You'll find yourself smiling as you play, the way you might listening to someone tell a well-loved story with fresh details.

Who it's for

Intermediate pianists ready to move beyond simplified arrangements and encounter authentic folk idioms through thoughtfully composed original work. This collection serves students who benefit from cultural exploration paired with technical growth, and teachers looking for multicultural repertoire that doesn't condescend.

How to get the most out of it

  • Let the rhythmic life of each piece emerge through careful attention to the accompaniment figures rather than rushing the tempo. The pulse will feel secure when supporting voices are clear.
  • Listen closely to how Bober voices the melodies; ornamental details like grace notes and rolled chords are notated intentionally, not decoratively.
  • Record yourself playing the accompaniment patterns alone before combining hands. These figures anchor the character of each piece.
  • Explore the pedal conservatively at first, using half-pedal where the notation suggests shifts in harmony. The music breathes better when you feel the harmonic changes underneath.

How to use it

This collection works beautifully in a spring or end-of-year recital where you want to offer cultural variety without shifting into full folk-song pedagogy. You might program individual pieces throughout the year as rewards or confidence-builders, or use the set as a unit exploring how composers respond to cultural traditions. The approachable difficulty level also makes these ideal for student performances at community events or informal gatherings.

Skills your students will build

  • Voicing hand-position shifts smoothly across the keyboard
  • Balancing melody against rhythmic accompaniment patterns
  • Interpreting folk-influenced melodic ornamentation
  • Sustaining musical phrasing across phrase boundaries without losing harmonic clarity
  • Understanding how harmonic progression supports cultural character

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