From Silence To Song: Choral Instrumental Pak
By Joseph M. Martin
Item: 35-PK01176953
$375.00
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Description
From ministry to humility and Calvary to victory, the story of Christ's redemptive grace is clearly presented in this meaningful offering. There is a pleasing blend of original material with familiar hymns, along with a scripture-based narration. This flexible chamber cantata includes two final songs: one for Holy Week, and the other for Easter. A smaller, yet effective orchestration provides instrumental or track options, while voice dominant tracks make learning convenient and approachable. A cantata of remembrance, reflection and resurrection! Songs include: "A Quiet Gathering; Somewhere in the Silence; Prepare Your Hearts; I Heard the Voice of Jesus Calling; Just Beyond the Palms; In the Stillness of This Moment; Silent Was the Night: The Lamb Is Silent Now; The Silence Speaks; Set Free Your Alleluia!" Score and Parts (fl 1, fl 2/ob, cl, tpt, tbn, vn 1-2, vc, db) available as a digital download.
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK01176953
More about this title
About the Composer: Joseph M. Martin
Joseph M. Martin holds degrees in piano performance from Furman University and the University of Texas at Austin, where he later taught in the Piano Pedagogy Department. His career as a concert pianist has taken him across North America and Mexico, including performances with regional symphony orchestras and a nationally broadcast recital at Ex-convento del Carman in Guadalajara following his win in the Nina Plant Wideman Competition.
In recent years, Martin has shifted his focus toward church music and worship settings, composing and arranging prolifically for congregational and choral contexts. His works have been performed at venues ranging from Carnegie Hall to regional theaters and countless churches throughout the United States and Canada. He currently resides in Austin, Texas.
Why we love this
Martin constructs this cantata with genuine liturgical intelligence, weaving original compositions and beloved hymns into a cohesive theological narrative rather than assembling disconnected pieces. The flexible orchestration and voice-dominant learning tracks remove barriers to preparation while respecting the singers' musicality, and the dual closing options give you real programming agency for either Lenten or Easter services.
What to expect
The piece moves through introspection and restraint before opening into affirmation, mirroring the journey from doubt to faith. Moments of genuine silence punctuate the score, letting text and theology breathe rather than filling every moment with sound.
Who it's for
This cantata serves choirs and worship teams seeking substantial yet accessible Easter or Holy Week programming. It works equally well for traditional churches wanting meaningful liturgical structure and contemporary worship settings that emphasize narrative clarity.
How to get the most out of it
- Prepare singers on the scripture narration well in advance; even though it's spoken rather than sung, its pacing and tone set the emotional foundation for each musical section that follows.
- Layer your rehearsals by separating hymn-based movements from original material initially, then integrate them once singers understand how each song carries the theological arc forward.
- When working with your instrumentalists, start with the voice-dominant tracks to establish tempos and phrasing before adding full orchestrations; this prevents the chamber ensemble from rushing ahead of the choir's natural breathing.
How to use it
Position this as your Easter Sunday or Palm Sunday service centerpiece, or split the two final movements across consecutive Sundays during Holy Week and Easter. Its chamber instrumentation also makes it suitable for special worship services, renewal conferences, or Good Friday meditative settings where a full orchestral work would overwhelm the space.
Skills your students will build
- Blending original compositions with existing hymn melodies in a single continuous work
- Singing with text-centered interpretation tied to theological narrative
- Maintaining ensemble precision across multiple movements with varied tempos and meters
- Responding to instrumental cues and orchestral textures in chamber settings
- Balancing vocal projection with moments of deliberate restraint and stillness