From an Irish Cabin: SAB Choral Octavo
Lyrics by Ruth Sawyer Durand, music by Douglas E. Wagner
Item: 00-PO-0000052
$1.65
Minimum order quantity: 20 copies
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Description
This enchanting winter selection is sure to be a rewarding choral experience. Delicate minor mode sonorities warm the icy theme. Vivid poetic imagery draws the listener in.
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Additional Details
Series:
Alfred Choral Designs
Publisher:
Alfred Music
Page Count:
12
SKU:
00-PO-0000052
More about this title
About the Arranger: Douglas E. Wagner
Douglas E. Wagner grew up in Chicago and earned both undergraduate and graduate degrees in music from Butler University. He spent three decades as a high school music director and administrator before transitioning to full-time composition and arranging work.
Since 1973, Wagner has published more than 3,500 compositions across choir, band, orchestra, handbell ensemble, organ, piano, and voice. His music has reached well over seventeen million copies worldwide and continues to appear in concert halls, broadcasts, and festivals throughout the United States and internationally. He currently lives in Indianapolis with his wife, Sandy.
Why we love this
Wagner's arrangement captures the quiet intimacy of the original material while crafting something immediately singable for SAB ensembles. The minor mode coloring and poetic restraint make this feel like a genuine discovery rather than a standard seasonal piece. The 12-page length and moderate demands mean you can rehearse it thoroughly without eating up your entire calendar.
What to expect
The piece unfolds with quiet contemplation, drawing its strength from delicate harmonic color rather than dramatic gesture. Minor key warmth creates an intimate atmosphere that invites listeners into a scene of quiet reflection, making winter feel less harsh and more poignant.
Who it's for
This arrangement works well for middle school through high school SAB choirs seeking a sophisticated winter selection that doesn't require divisi work or unusual ranges. It's equally suited to community choirs and church music programs looking for something beyond the typical holiday fare.
How to get the most out of it
- Shape the minor mode sonorities with careful attention to blend in the upper voices; let the warmth emerge gradually rather than forcing it.
- Work the text expression closely, allowing the vivid imagery to inform phrasing and dynamic choices rather than treating the lyrics as secondary to the melody.
- Balance the three parts so no single voice line dominates; this arrangement thrives on the interweaving of voices rather than solo-like prominence.
How to use it
Consider programming this in the second half of a winter concert, where its introspective quality can anchor a thematic set around nature, home, or reflection. The moderate length allows flexibility in concert design without sacrificing the piece's impact.
Skills your students will build
- Singing in minor key tonality with consistent intonation
- Blending three-part mixed voicing with equal presence
- Connecting poetic imagery to musical expression and phrasing
- Reading a SAB score with independent voice lines