Friendship Medley Sheet Music Preview

Friendship Medley: SSAB Choral Octavo

As performed by Andrew Gold / As performed by Carole King / As performed by Randy Newman / As performed by Bruno Mars / Arranged by Beverley Mason

Item: 35-DS01732648

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Description

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Additional Details
Publisher: Hal Leonard
Page Count: 6
SKU: 35-DS01732648

More about this title

About the Artist: Andrew Gold

Andrew Gold is a singer-songwriter and session musician who emerged from the Los Angeles music scene in the 1970s. His work as a performer and collaborator with artists like Linda Ronstadt and his own recordings made him a distinctive voice in pop music, blending sophisticated arrangements with accessible melodies.

Why we love this

Beverley Mason's arrangement captures the warmth and singability that made these songs resonate across generations, while the SSA/SSAB voicing keeps the parts manageable without sacrificing harmonic interest. A medley structure lets you program something uplifting and contemporary without requiring a full pop ballad slot, and the six pages move quickly enough to sustain audience energy.

What to expect

Accessible and joyful. This medley sits in the pocket of popular music that feels timeless rather than trendy, with the kind of melodic hooks that stick with singers and listeners alike. The arrangement respects the charm of each song while weaving them into something cohesive.

Who it's for

Choirs seeking contemporary repertoire that connects with audiences without demanding technical virtuosity. Works well for groups comfortable with pop idioms and looking to refresh their concert programming.

How to get the most out of it

  • Balance the blend between soprano lines in the opening; these melodies carry the recognition factor, so clarity matters more than power.
  • Pay attention to the transitions between songs. Rhythmic precision in these moments prevents the medley from feeling disjointed.
  • Shape the ending with confidence. Medleys live or die by their conclusions; commit fully to whatever final statement Mason provides.

How to use it

Place this in a pops or lighter concert section where it can follow or precede more traditional choral works. The upbeat character makes it ideal for closing a show on a high note or energizing an audience mid-concert.

Skills your students will build

  • Singing pop idioms with stylistic authenticity
  • Managing multiple song transitions within a single piece
  • Balancing soprano-heavy voicing while maintaining ensemble blend
  • Reading arrangements with functional harmony notation

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