Freedom! Cover Image

Freedom!: 2-Part Choral Octavo

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Freedom! Cover Image

Freedom!: 2-Part Choral Octavo

Music by Lois Brownsey and Marti Lunn Lantz

Item: 00-4721

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Description
From east to west, the walls are tumblin' down. All the world can see, freedom is comin' around.' It's timely, it's an exciting show-stopper . . . for any choir, large or small. Every voice gets a chance at the melody. Good part writing. (P.S. Try it as a concert closer!)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Freedom!: 2-Part Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Archive Edition: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 8
UPC: 038081004259
SKU: 00-4721

More about this title

About the Composer: Lois Brownsey

Lois Brownsey

Lois Brownsey studied at Temple University in her native Philadelphia and trained at the Guitar Workshop while building a career in musical theatre. For decades, she performed live in pop, rock, and blues ensembles across the United States and internationally, playing bass and singing before stepping away from performance in 1997. She has also lent her voice to commercial work for major clients including AT&T and GMC Truck Dealers.

With her longtime collaborator Marti Lunn Lantz, Brownsey has developed a distinctive catalog of choral works and song collections that celebrate multicultural traditions and seasonal themes. Their compositions for Alfred include "Winter's Frost," "Japanese Snow Song," and "The Colors of Winter," among many others. Now based in the Pocono Mountains of Pennsylvania, Brownsey remains active in her community as a Celebrant and arts advocate. She and her husband Kent Heckman, a recording engineer, operate Red Rock Recording Studios, which has produced numerous Alfred projects.

Why we love this

The part writing here is genuinely smart, which means your singers stay engaged rather than bored on a single line for eight pages. Every voice catches the main melody at some point, creating real ownership of the tune and keeping energy levels high throughout rehearsal. Program it as your closer and watch the room light up; this piece has the momentum and accessibility to send an audience home on a genuine high note.

What to expect

Uplifting and unabashedly hopeful, this piece carries genuine conviction without sentimentality. The melody is direct and memorable, the harmonic language contemporary, and the overall effect is one of forward motion and optimism.

Who it's for

Any choir from a small community ensemble to a large festival group will find this piece accessible and rewarding. The 2-part voicing welcomes choirs with limited rehearsal time or mixed ability levels, while the melodic writing and contemporary idiom keeps singers of all ages engaged.

How to get the most out of it

  • Find the natural breath points in the text and honor them; the lyrical phrases are written to breathe, and forcing them through will flatten the message.
  • Balance the parts carefully so that whichever voice line carries the melody sits clearly above the harmony without the accompaniment part receding into the background.
  • Lock in the rhythmic pulse early; this show-stopper lives on forward motion and conviction rather than interpretive flexibility.

How to use it

This works beautifully as a concert finale, particularly if your program has been more introspective or classical in nature. It also fits naturally into thematic concerts about social justice, change, or seasonal celebrations, where its accessibility and emotional clarity will land with full impact.

Skills your students will build

  • Singing independent melodic lines while maintaining harmonic awareness
  • Phrasing across text with natural breath points
  • Balancing melody and accompaniment within a 2-part texture

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