Free Ride: Jazz Ensemble Conductor Score & Parts
As performed by Edgar Winter Group / Arranged by John Wasson
Grade: 3
Item: 35-PK00368605
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Free Ride - Conductor Score (Full Score) | $7.50 | |
| Free Ride - Alto Sax 1 | $6.00 | |
| Free Ride - Alto Sax 2 | $6.00 | |
| Free Ride - Tenor Sax 1 | $6.00 | |
| Free Ride - Tenor Sax 2 | $6.00 | |
| Free Ride - Baritone Sax | $6.00 | |
| Free Ride - Trumpet 1 | $6.00 | |
| Free Ride - Trumpet 2 | $6.00 | |
| Free Ride - Trumpet 3 | $6.00 | |
| Free Ride - Trumpet 4 | $6.00 | |
| Free Ride - Trombone 1 | $6.00 | |
| Free Ride - Trombone 2 | $6.00 | |
| Free Ride - Trombone 3 | $6.00 | |
| Free Ride - Trombone 4 | $6.00 | |
| Free Ride - Guitar | $6.00 | |
| Free Ride - Piano | $6.00 | |
| Free Ride - Bass | $6.00 | |
| Free Ride - Drums | $6.00 | |
| Free Ride - Aux Percussion | $6.00 |
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Description
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More about this title
About the Artist: Edgar Winter Group
Edgar Winter Group emerged from the early 1970s rock scene with a distinctive blend of rock, blues, and keyboard-driven energy. Led by keyboardist and vocalist Edgar Winter, the group became known for their tight musicianship and infectious grooves that appealed to both radio audiences and serious musicians.
Why we love this
This arrangement captures everything that made the original recording stick in people's heads: propulsive energy, clear melodic hooks, and a rhythm section that won't quit. Your ensemble gets to experience a song that proved rock tunes belong in the jazz band repertoire, and students recognize it immediately, which means they're invested from day one.
What to expect
Immediate, propulsive energy that feels current despite being fifty years old. The driving pulse and catchy melodies create an irresistible forward momentum that keeps both performers and listeners locked in.
Who it's for
Jazz ensemble directors looking for Grade 3 material that engages students with a recognizable hit while building their command of rock inflections and contemporary phrasing. This works for groups that want to program something with genuine cultural currency without sacrificing musicianship standards.
How to get the most out of it
- Lock the pulse early in sectionals. This chart lives and dies by a steady, driving heartbeat; any wavering in the rhythm section undermines the contemporary edge that makes it compelling.
- Balance the signature riffs so they cut through without drowning out the solo opportunities. Wasson's arrangement likely features featured moments, and those need room to breathe.
- Lean into the rock vocabulary without overselling it. Players sometimes push these charts too hard; let the arrangement's power come from precision and pocket, not from volume alone.
How to use it
Pair this with your spring or end-of-year concert when you want to showcase the ensemble's ability to handle contemporary material with style. It also works well sandwiched between more traditional jazz standards to demonstrate range, or as a high-energy opener that sets the tone for the entire program.
Skills your students will build
- Rock and funk phrasing in a jazz ensemble setting
- Maintaining a steady, driving pulse across ensemble textures
- Balancing written riffs with dynamic contrast
- Executing signature melodies with precision and personality