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Frank Gambale: Improvisation Made Easy: Guitar Book & Online Audio

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Frank Gambale: Improvisation Made Easy Cover Image

Frank Gambale: Improvisation Made Easy: Guitar Book & Online Audio

An Improvisation Course for Intermediate to Advanced Guitarists

By Frank Gambale

Item: 00-0005B

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Description
Frank Gambale's new improvisation book is a twelve-chapter course, with seven lessons per chapter, that covers the twelve most important scales and modes. Each lesson explores the chords, voicings and licks that are derived from each scale. The online audio includes 119 recorded music examples, and the clearly presented text is written in standard notation and tablature.

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Sample Pages

Sample Audio
1 Maj 7 Chords --:--
2 Modalawn --:--
3 Phyrgian Major Chords --:--

Maj 7 Chords

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Sample Video
Additional Details
Series: Manhattan Music Publications
Publisher: Alfred Music
Page Count: 104
ISBN10: 1-57623-610-2
ISBN13: 978-1-57623-610-9
UPC: 029156605136
SKU: 00-0005B

More about this title

About the Artist: Frank Gambale

Frank Gambale is an Australian guitarist and composer known for his virtuosic technique and deep knowledge of modal interchange and jazz harmony. His pedagogical approach emphasizes understanding the relationship between scales, chords, and melodic phrasing rather than rote memorization, making complex concepts accessible to advancing players.

Why we love this

Gambale structures this course around the scales that actually matter in jazz contexts, then systematically connects each one to the chords and licks you'll encounter in real playing. The 119 recorded examples mean students hear exactly what they're reading, eliminating guesswork about phrasing and articulation. For teachers, this is a complete improvisation curriculum that doesn't require constant supplementation.

What to expect

Clear and methodical without being sterile. Each chapter builds the conceptual framework before releasing you into musical exploration, so ideas feel grounded rather than theoretical.

Who it's for

Jazz guitarists ranging from intermediate through advanced players who want systematic grounding in modal thinking and improvisation architecture. Students who learn better with notation and tab alongside audio will find this approach more concrete than purely ear-based study.

How to get the most out of it

  • Spend time with each chapter's foundation before moving to applied licks. The voicing section establishes the harmonic vocabulary you'll use throughout.
  • Work through the recorded examples multiple times at slower speeds before playing along at tempo. Your ear needs to lock in the intervallic shapes first.
  • Transpose each lick across the fretboard immediately after learning it from the notation. This cements the shape into your muscle memory and reveals fingering options.

How to use it

Assign individual chapters as supplementary study for jazz ensemble members who need to strengthen their solo voice on specific tunes. The structured, modular design works well for students balancing private lessons with ensemble rehearsals.

Skills your students will build

  • Understanding the harmonic context for each major scale, mode, and synthetic scale
  • Translating scale degrees into chord-specific vocabulary and lick construction
  • Reading and performing jazz phrasing articulations in notation and tablature
  • Transposing melodic and harmonic ideas across multiple positions on the fretboard
  • Connecting interval relationships to fingering options and hand position choices

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