Frank Erickson High School Band Course Cover Image

Frank Erickson High School Band Course: 2nd E-flat Alto Saxophone Book (Texas Edition)

$30.00 USD
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Frank Erickson High School Band Course Cover Image

Frank Erickson High School Band Course: 2nd E-flat Alto Saxophone Book (Texas Edition)

By Frank Erickson

Item: 00-21269

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Additional Details
Publisher: Alfred Music
ISBN10: 0-7390-3561-4
ISBN13: 978-0-7390-3561-0
UPC: 038081230665
SKU: 00-21269
Instrumentation: 2nd E-flat Alto Saxophone

More about this title

About the Author: Frank Erickson

Frank Erickson was a prolific composer and arranger whose band method materials shaped instrumental instruction across American schools for decades. His systematic approach to teaching woodwinds emphasized practical pedagogy, accessible progressions, and music that engaged students while building foundational technique.

Why we love this

Erickson's alto saxophone book builds second-part literacy without sacrificing musicality. Students develop secure harmonic awareness by playing supporting voices, and the Texas Edition format ensures alignment with state standards and ensemble expectations.

What to expect

Erickson's writing moves with purpose through accessible melodies and clear harmonic support. The second part sits naturally under the fingers while keeping students engaged through varied musical contexts and steady technical progression.

Who it's for

High school alto saxophonists learning their instrument through a comprehensive method course. Students working from second parts will strengthen harmonic awareness and ensemble listening skills alongside individual technique development.

How to get the most out of it

  • Balance your part against the first saxophone. Listen for moments where your line carries the melody or provides essential counterpoint, then adjust your dynamic accordingly.
  • Pay attention to intonation in the lower register, where second alto parts often sit. Voicing and embouchure adjustments make the difference between blending and standing out.
  • Mark your music where you double the first part versus where you sustain harmony. This distinction clarifies your role in each phrase.
  • Rehearse rhythm patterns independently before sectional work. Second parts frequently contain rhythmic figures that anchor the ensemble.

How to use it

Integrate this method into your woodwind section curriculum alongside the first alto part and other voices. Daily work from the book during the fall builds foundational ensemble balance before transitioning to concert repertoire.

Skills your students will build

  • Reading in treble clef with ledger lines
  • Harmonic independence and ensemble balance
  • Intonation in the low and middle registers
  • Rhythmic accuracy in supporting figures
  • Transposition awareness for E-flat instruments
  • Breath control and phrasing over longer passages

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