Four Novelletten, Op. 52, No. 2 in C Major Cover Image

Four Novelletten, Op. 52, No. 2 in C Major: String Orchestra Conductor Score & Parts

$40.00 USD
$40.00 USD
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Four Novelletten, Op. 52, No. 2 in C Major Cover Image
Four Novelletten, Op. 52, No. 2 in C Major: String Orchestra Conductor Score & Parts

Four Novelletten, Op. 52, No. 2 in C Major: String Orchestra Conductor Score & Parts

By Samuel Coleridge-Taylor

Item: 36-A725990
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Four Novelletten, Op. 52, No. 2 in C Major: Conductor Score

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Description
Samuel Coleridge-Taylor's (1875-1912) FOUR NOVELLETTEN, Op. 52, is a brilliantly crafted set of four short movements for string orchestra, with optional tambourine and triangle. Its title possibly inspired by Robert Schumann's set of piano miniatures, NOVELLETTEN, Op. 21, Coleridge-Taylor wrote his 1903 work for strings, infusing romantic sentimentality with a coloristic exploration of the modern string orchestra. Despite his publisher's early lack of success with the work, it must certainly have been one of the composer's favorite works as he programmed the set repeatedly on concerts he conducted throughout his career. No. 2 in C Major contrasts two dance-like sections; one duple and one triple. Instrumentation in set: Perc(1 opt. player: Tambourine.Triangle): Str (8-8-5-5-5 in set). Each of the four movements from the suite are available separately from the publisher.

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
UPC: 735816155773
SKU: 36-A725990
Instrumentation: String Orchestra, Ensemble Works

More about this title

About the Composer: Samuel Coleridge-Taylor

Samuel Coleridge-Taylor (1875–1912) was a British composer and conductor whose orchestral works bridged Victorian romanticism and early modernist sensibilities. Born in London to an English mother and Sierra Leonean father, he studied at the Royal Academy of Music and quickly established himself as a significant voice in British concert life, conducting major orchestras and premiering his own compositions throughout Europe.

Why we love this

This movement showcases Coleridge-Taylor's gift for orchestral color and formal clarity. The contrasting dance sections give your ensemble a chance to explore textural variety and character shifts without requiring the interpretive demands of a full symphonic work, making it ideal for advancing string orchestras.

What to expect

Two contrasting dances unfold with elegant charm. The opening duple meter section dances with a lyrical directness, while the shift to triple meter brings waltzing warmth and a shift in orchestral color that feels both intimate and refined.

Who it's for

String orchestras with solid rhythmic control and ensemble maturity. This work suits intermediate to advanced high school or community orchestras seeking a Romantic-era piece that demonstrates compositional craft without extreme technical demands.

How to get the most out of it

  • Balance the duple and triple meter sections distinctly in rehearsal. Mark the meter changes clearly in parts so players transition confidently between the two rhythmic characters.
  • Pay close attention to the string voicing in both sections. Coleridge-Taylor's orchestration rewards precise ensemble intonation, particularly in the inner parts where harmonic tension builds.
  • If using the optional percussion, ensure the tambourine and triangle entries enhance rather than dominate the string texture. Their role is coloristic support, not rhythmic anchoring.

How to use it

Program this as a standalone piece on a concert featuring British orchestral works, or use it to anchor a set of shorter Romantic-era movements. Its moderate length and character make it an excellent centerpiece between a larger opening work and a substantial closing piece.

Skills your students will build

  • Navigating metric modulation (duple to triple meter) while maintaining musical continuity
  • Balancing inner voice clarity in four-part string writing
  • Responding to coloristic cues from optional percussion without losing ensemble cohesion

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