Four Introits (handbells): Conductor Score & Parts

Thoughtful and unhurried. Introits set a contemplative tone, and McCray's writing respects that function while using handbells to add luminosity and depth to the vocal line. The combination creates an elegant, grounded sound.

Church musicians and directors leading combined vocal and handbell ensembles, particularly those working in liturgical settings. These pieces work for both volunteer and student ringers paired with a unison chorus.

• Rehearse the unison chorus line separately first, then layer in the handbell parts. The vocal line needs to sit solidly before adding the bell texture.
• Balance the handbells to support rather than overshadow the singers. These are introits, not instrumental showpieces.
• Pay attention to the introit's purpose: establish mood and draw the congregation or audience in. Tempo and dynamic control matter more than technical flashiness.
• If some ringers are less experienced, assign bell assignments based on comfort level. Parts can be doubled or redistributed without losing the harmonic integrity McCray has written.

Lead with these in a Sunday service, a concert of sacred music, or as processional pieces at a choral festival. They also pair well with other liturgical settings or introit collections, offering variety in sonority and approach.

• Ringing sustained tones with even tone quality
• Balancing handbell texture against a vocal line
• Following a conductor across multiple parts in real time
• Interpreting introits as both functional and artistic music