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Four Easy Sonatinas: Late Elementary/Early Intermediate Piano Book

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Four Easy Sonatinas Cover Image

Four Easy Sonatinas: Late Elementary/Early Intermediate Piano Book

By Judith R. Strickland

Item: 98-FJH1419

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Description
The Four Easy Sonatinas offers students an imaginative approach to learning short three movement compositions. The interesting feature of these sonatinas as compared to other standard sonatinas, is that each one incorporates a different theme and compositional flavor that is represented by their titles. Students will enjoy this collection and its fresh approach.

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Additional Details
Series: Composers In Focus
Publisher: The FJH Music Company, Inc.
ISBN10: 1-56939-356-7
ISBN13: 978-1-56939-356-7
UPC: 674398214099
SKU: 98-FJH1419

More about this title

About the Composer: Judith R. Strickland

Judith R. Strickland has built her reputation on writing accessible, engaging piano literature for developing musicians. Her work in the Composers In Focus series demonstrates a thoughtful understanding of what students at the elementary and early intermediate levels need: clear structures, musical variety, and pieces that don't feel like exercises.

Why we love this

Each sonatina has its own character and compositional approach, so students aren't grinding through similar patterns three times over. The three-movement format introduces proper form without overwhelming technique, and the thematic variety keeps both student and teacher engaged throughout the collection.

What to expect

Four distinct musical moods wrapped in classical sonatina structure. Each piece feels purposeful and crafted rather than formulaic, with melodies that stick in the mind and harmonic language that supports rather than distracts from the learning goals.

Who it's for

Students advancing through late elementary into early intermediate study who are ready for longer-form pieces but need clear scaffolding. Teachers looking for a collection that covers sonatina repertoire without requiring students to master similar material four times.

How to get the most out of it

  • Shape the first movement's primary theme clearly before layering in development; students often rush through exposition without establishing what needs to return.
  • Let the slow movement breathe. These tend to be brief, and young players sometimes miss opportunities to explore the lyrical quality that makes it feel like a true middle movement.
  • Bring out the finale's energy without sacrificing accuracy. The shorter length can tempt students to push tempo beyond what they can handle cleanly.

How to use it

Assign one sonatina per marking period to give structure to a student's technical development across a full year. Or program them selectively in recitals to demonstrate range; variety in compositional flavor makes for compelling programming when you want to show growth without repetition.

Skills your students will build

  • Three-movement form and how themes return and develop
  • Baroque and Classical style conventions
  • Interpretation of varied tempos and articulations across movements
  • Hand independence and coordination across both registers
  • Sustaining musical narrative across longer structures

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