Four Cornish Dances Cover Image

Four Cornish Dances: Wind Band Score & Parts

$135.00 USD
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Four Cornish Dances Cover Image

Four Cornish Dances: Wind Band Score & Parts

By Malcolm Arnold

Item: 12-0571557600

$135.00
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Four Cornish Dances

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Additional Details
Series: Faber Edition: Faber Wind Band Series
Publisher: Faber Music
ISBN10: 0-571-55760-0
ISBN13: 978-0-571-55760-8
UPC: 9780571557608
SKU: 12-0571557600
Instrumentation: Wind Band

More about this title

About the Composer: Malcolm Arnold

Malcolm Arnold (1921, 2006) was one of Britain's most prolific composers, equally at home writing symphonies, concertos, ballet scores, and film music. His output spans nearly every genre and ensemble size, but he had a particular gift for wind band writing that combines orchestral sophistication with genuine accessibility. Arnold's music is marked by infectious rhythmic vitality, orchestrational clarity, and a refusal to take itself too seriously, qualities that made him a favorite among performers and audiences alike.

Why we love this

Arnold captures the spirit of folk tradition without pastiche, layering the dances with clever counterpoint and colorful scoring that keeps seasoned players engaged while remaining playable at a solid intermediate level. These pieces sit in that rare sweet spot where the music genuinely delights audiences, players feel like they're making something substantial, and the technical demands never overshadow the sheer musical pleasure of playing together.

What to expect

These dances pulse with the energy and character of Cornwall's musical traditions, transformed through Arnold's sophisticated harmonic language and orchestral imagination. There's genuine warmth here, the kind of music that sounds both contemporary and timeless, with moments of witty orchestration that catch you by surprise.

Who it's for

Wind bands at the intermediate to advanced level will find these dances rewarding. The score demands solid musicianship and careful sectional listening, but doesn't require virtuoso soloists or extended techniques.

How to get the most out of it

  • Let the folk melodies breathe in the opening statements. Even though the orchestration can get dense, the dances need an underlying lilt that comes through clearest when you resist rushing the pulse.
  • Balance the inner voices carefully when the counterpoint thickens. Arnold writes for the whole band as an ensemble; single-line doublings matter, so woodwind sections need to track their own color and blend with the brass beneath them.
  • Use the recorded accompaniment to lock the rhythmic drive, especially where syncopation appears. These dances demand precision without feeling stiff, the click track is your friend here.

How to use it

Spring or fall concerts benefit from this pairing of folk spirit with concert-hall sophistication. The set works beautifully as a full-program closer or as a bridge between heavier contemporary works and lighter encore material, giving audiences something they'll remember beyond the concert hall.

Skills your students will build

  • Tracking inner voices and harmonic movement in contrapuntal writing
  • Balancing folk melody with accompanimental material
  • Maintaining rhythmic precision in syncopated passages
  • Ensemble blend in thick orchestrations across multiple doublings
  • Phrasing and character in traditional dance forms

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