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Four Asian Folk Songs: String Orchestra, Score and Parts

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Four Asian Folk Songs Cover Image

Four Asian Folk Songs: String Orchestra, Score and Parts

By Bud Caputo

Grade: 2

Item: 36-52250573

$45.00
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Description
Four traditional songs, from China (Descendant of the Dragon), Japan (Sakura), Korea (Arirang), and Vietnam (Ly Cay Bong) comprise this unique medley. Not only does each section get its thematic moment, but the orchestra also imitates the sounds of traditional Asian instruments. All parts remain in first position, with several tempo and mood changes, from lyric and ethereal to a driving contrapuntal ending. Thorough editorial notes give the history of each song, performance suggestions, and background on the arranger.

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Additional Details
Series: Latham Music - LudwigMasters
Publisher: Keiser Productions, Inc.
UPC: 746241221179
SKU: 36-52250573
Instrumentation: String Orchestra

More about this title

About the Composer: Bud Caputo

Bud Caputo

Bud Caputo has spent decades shaping music education across the country, from elementary strings in Northern Virginia to district-level instrumental coordination in Maryland. His background spans both the classroom and the professional stage; he's performed with the Beethoven Pops and Washington Civic Opera orchestras, toured with major jazz ensembles, and served as a trombonist with the U.S. Army Band. His formal training came through The Catholic University of America, Manhattan School of Music, and SUNY Potsdam, with trombone studies under principals from the New York Philharmonic, Metropolitan Opera, and National Symphony Orchestra.

Today, Caputo works as a registered Music Consultant for Palm Beach County Public Schools and maintains an active presence as a clinician and adjudicator at festivals throughout Maryland and on the east coast. His published works appear with major publishers including Carl Fischer, Alfred, Ludwig, and FJH Music, reflecting a career-long commitment to creating practical, engaging repertoire for school ensembles at all levels.

Why we love this

Caputo's decision to orchestrate traditional songs alongside educational notes about their origins transforms a simple medley into a cultural learning experience. Students encounter genuine melodies from four distinct traditions while staying grounded in technical accessibility, and the arrangement's attention to instrumental color, imitating the sounds of Asian instruments, gives players a reason to shape their tone thoughtfully rather than simply execute the notes.

What to expect

Four distinct sonic worlds unfold in quick succession: first the grandeur of Chinese tradition, then the delicate contemplation of Sakura, the plaintive voice of Arirang, and finally the propulsive energy that closes the work. The orchestration captures something authentic about how these melodies sound in their original contexts, creating moments where your ensemble becomes a bridge between cultures.

Who it's for

String orchestras at the early intermediate level looking to expand their cultural repertoire without sacrificing technical focus. Directors seeking a Grade 2 piece that educates ensemble members about world music traditions while reinforcing first-position fundamentals.

How to get the most out of it

  • Study the editorial notes before rehearsal. Understanding each song's cultural context and performance tradition helps students approach phrasing with intention rather than defaulting to generic string articulation.
  • Mark the tempo and mood shifts in student parts. The journey from lyric and ethereal passages to the driving contrapuntal ending requires clear signposting so transitions feel planned rather than abrupt.
  • Balance the imitative instrumental effects between sections. When violas or cellos reference traditional instrument sounds, those voices need enough presence in the texture to register without overwhelming the primary melody.

How to use it

Pair this with a themed concert exploring global music, or use it as an opening piece that establishes a multicultural approach to your season. It's equally effective as a mid-winter concert selection when students need an engaging, story-driven piece that still respects their technical limitations.

Skills your students will build

  • Maintaining first position across varied melodic shapes and ranges
  • Responding to multiple tempo and mood changes within a single piece
  • Creating tonal color variation to imitate non-Western instrument sounds
  • Balancing primary melodies against accompanying figures in arranged settings
  • Reading and performing contrasting textures, from sustained passages to contrapuntal sections

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