Forget About The Boy (from Thoroughly Modern Millie) (arr. Audrey Snyder): SSA Choral Octavo

Snyder captures the mischievous energy and comedic timing of this showstopper while keeping the vocal demands reasonable for SSA choirs. The arrangement respects the song's irrepressible character without sacrificing musicality, making it as fun to rehearse as it is to perform. You'll find your singers craving every rehearsal because the piece simply makes them smile.

Pure theatrical fun delivered with sass and style. The piece sparkles with comedic timing and bouncy rhythms that make singers feel confident and performers feel genuinely entertained.

SSA and SSAA choirs looking for contemporary Broadway repertoire that entertains both performers and audiences. This works well for choirs ranging from high school level to community groups, as it rewards good musicianship without requiring advanced vocal technique.

• Lock in the rhythmic precision during the syncopated sections; the humor lands only when the ensemble attacks those off-beat phrases together with crisp articulation.
• Resist the urge to slow down the tempo. This song thrives on momentum and buoyancy, so maintain the character and energy throughout.
• Balance the soprano line with the inner voices so that the hook stays bright without overshadowing the harmonic foundation underneath.
• Explore dynamic contrast between verses and the main hook to keep the arrangement from feeling one-dimensional over 13 pages of material.

Place this alongside other Broadway selections in a concert celebrating musical theater, or use it as a standalone opener to set an upbeat, accessible tone. It pairs especially well with other Snyder arrangements and gives lighter choirs a showstopper that doesn't require advanced harmonic sophistication.

• Rhythmic precision in syncopated passages
• Comedic timing and theatrical expression
• Balancing soprano melody with harmonic voices
• Ensemble articulation and dynamic control
• Sustaining energy across extended choral writing