For You, For Me For Evermore (from An American In Paris): Piano Vocal

This arrangement preserves the lush harmonic language of Gershwin's original while remaining singable and accompanist-friendly. The three-page format is ideal for teaching jazz standards without overwhelming students, and the melody sits naturally for singers with modest classical training who want to explore Broadway repertoire.

Romantic without sentimentality, urbane without pretense. The song carries the bittersweet quality of someone reflecting on a transformative moment in a foreign city, grounded by Gershwin's sophisticated harmonic palette and lifted by the inherent joy of the melody.

Singers developing facility with jazz harmony and swing rhythms will find this a musically rich but manageable entry point. Pianists seeking to expand beyond classical accompaniment will gain practical experience with jazz voicings and comping styles.

• Shape the vocal line through the harmonic movement rather than focusing solely on lyrical phrasing. Gershwin's chords often shift beneath held notes, creating subtle emotional turns.
• Let the piano part breathe during vocal passages. These aren't "fill" moments but genuine musical contributions that the voice should acknowledge through pacing and dynamics.
• Approach the rhythmic notation with flexibility. Jazz phrasing means notes don't always sit precisely on the beat, particularly in pickup phrases and phrase endings.

This works beautifully in a jazz or American music concert, paired with other Gershwin standards or works exploring the classical-popular divide. It's also an excellent recital choice for singers building a diverse program that spans classical art song and contemporary musical theater.

• Reading and performing jazz rhythms and swing feel
• Interpreting slash chords and seventh-based harmonies in context
• Balancing vocal line with an active piano accompaniment
• Singing through harmonic movement in a jazz idiom