For All Good Gifts: SATB Choral Octavo
For All Good Gifts Sheet Music Preview

For All Good Gifts: SATB Choral Octavo

By Douglas E. Wagner

Item: 35-DS00450659
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$2.99
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Additional Details
Publisher: Hal Leonard
Page Count: 7
SKU: 35-DS00450659

More about this title

About the Composer: Douglas E. Wagner

Douglas E. Wagner

Douglas E. Wagner grew up in Chicago and earned degrees in music from Butler University before spending three decades in high school music education and administration. Since 1973, he has composed and arranged over 3,500 works across virtually every ensemble type: choirs, bands, orchestras, handbells, organ, and solo voice. His music has circulated globally, with more than seventeen million copies performed in concert halls, schools, churches, and broadcast media worldwide.

Now based in Indianapolis, Wagner dedicates himself entirely to composition. His catalog reflects both the practical demands of music education and the artistic vision of a composer deeply versed in instrumental and vocal writing. His prolific output and consistent presence in American music education make him a trusted voice for choral directors seeking music that works in real rehearsal rooms.

Why we love this

Wagner understands the balance between musical substance and practical rehearsal reality. This piece sits comfortably in the voices without requiring unusual ranges or extended vocal techniques, making it accessible for mixed choirs at various ability levels while maintaining genuine musical integrity.

What to expect

Warm and straightforward, this piece expresses gratitude without sentimentality. The harmony is accessible but thoughtfully voiced, creating a sense of genuine thanksgiving that feels earned rather than imposed.

Who it's for

This works for sacred choirs of all ages looking for repertoire that combines musical craftsmanship with singable writing. It fits equally well in church settings and high school or college choral programs seeking gratitude-themed music for thanksgiving services, holiday concerts, or general sacred repertoire.

How to get the most out of it

  • Balance the parts by having singers locate their melodic moments early in rehearsal; mark where each voice carries the primary line so nobody gets buried.
  • Pay attention to text underlay in phrases that set multiple syllables quickly; clarity improves when singers hear the text rhythm as rhythmic content, not an afterthought.
  • Let the harmonic movement breathe naturally. Wagner's chord progressions unfold logically, so resist the urge to rush through transitions between sections.
  • Shape phrase endings with gentle releases rather than abrupt cutoffs; the harmonic language rewards singers who listen to how chords resolve.

How to use it

Program this as a strong mid-concert selection when you want sacred music that feels both substantive and approachable to a general audience. It pairs naturally alongside other gratitude-themed works during fall concert season or as an anchor piece in a thanksgiving service where musical quality matters alongside spiritual intention.

Skills your students will build

  • Reading SATB voicing with independent melodic lines in each part
  • Sustaining pitch accuracy in close harmonic writing
  • Balancing ensemble blend when multiple parts move at different rhythmic rates
  • Connecting text expression to harmonic movement and phrase shaping

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