Footprints On The Sand (from The Prince Of Egypt: A New Musical) Sheet Music Preview

Footprints On The Sand (from The Prince Of Egypt: A New Musical): Piano Vocal

By Stephen Schwartz

Item: 35-DS00468066

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Additional Details
Publisher: Hal Leonard
Page Count: 7
SKU: 35-DS00468066

More about this title

About the Composer: Stephen Schwartz

Stephen Schwartz is a composer and lyricist whose theatrical work spans five decades of Broadway and film musicals. His gift for melody and emotional clarity has made him one of the most performed contemporary musical theater composers in educational settings, with works like Wicked, Pippin, and Godspell becoming staples of school and community theater programs.

Schwartz's approach to songwriting prioritizes accessibility without sacrificing sophistication. His scores invite performers to dig into genuine emotion while remaining performable by singers at all levels, which is why his music continues to resonate in classrooms and rehearsal halls worldwide.

Why we love this

Schwartz crafted this song with the solo vocalist in mind, allowing singers to inhabit a moment of spiritual reflection without technical fireworks getting in the way of authentic connection. The piano writing provides gentle harmonic support while remaining manageable for accompanists who may not have extensive classical training, making it an ideal choice for recitals, auditions, or concert settings where emotional delivery matters more than instrumental pyrotechnics.

What to expect

There's a contemplative quality to this piece that invites introspection. The melody unfolds with gentle dignity, and the harmonic landscape supports rather than overwhelms, creating space for the performer to find their own emotional truth within the song's framework.

Who it's for

Solo vocalists preparing audition material, recital repertoire, or concert performance will find this a solid addition to their toolkit. It works equally well for voice students looking to expand their contemporary musical theater catalog and for singers wanting to engage with Schwartz's unmistakable compositional voice.

How to get the most out of it

  • Let the lyrical line breathe naturally without over-phrasing; Schwartz's melodies work best when they feel conversational rather than heavily shaped
  • Work with your accompanist to establish a flexible tempo that follows the emotional arc of the text, especially through any key moments where the harmonic language shifts
  • Inhabit the storytelling quality of the lyrics first; the vocal melody will respond when you're genuinely present in the narrative
  • Balance legit and belt technique as needed for your voice type, favoring whatever approach feels most authentic to your instincts

How to use it

This pairs naturally with other contemporary musical theater selections in a solo recital, or it can anchor a concert featuring songs from film and stage musicals. Include it in a program exploring spirituality and reflection in contemporary theater, or use it as a standout moment in a full evening of Schwartz's work alongside more familiar selections.

Skills your students will build

  • Sustaining legit vocal tone through longer melodic phrases
  • Interpreting lyrical content with emotional specificity
  • Collaborating with an accompanist on flexible, responsive tempo
  • Navigating contemporary musical theater style and diction
  • Building audition and recital repertoire beyond standard classical selections

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