Footloose: Jazz Ensemble Conductor Score & Parts
By Kenny Loggins / By Dean Pitchford / Arranged by John Berry
Grade: 3
Item: 35-PK00129593
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Footloose - Full Score | $7.50 | |
| Footloose - Alto Sax 1 | $6.00 | |
| Footloose - Alto Sax 2 | $6.00 | |
| Footloose - Tenor Sax 1 | $6.00 | |
| Footloose - Tenor Sax 2 | $6.00 | |
| Footloose - Baritone Sax | $6.00 | |
| Footloose - Trumpet 1 | $6.00 | |
| Footloose - Trumpet 2 | $6.00 | |
| Footloose - Trumpet 3 | $6.00 | |
| Footloose - Trumpet 4 | $6.00 | |
| Footloose - Trombone 1 | $6.00 | |
| Footloose - Trombone 2 | $6.00 | |
| Footloose - Trombone 3 | $6.00 | |
| Footloose - Trombone 4 | $6.00 | |
| Footloose - Guitar | $6.00 | |
| Footloose - Piano | $6.00 | |
| Footloose - Bass | $6.00 | |
| Footloose - Drums | $6.00 | |
| Footloose - Aux Percussion | $6.00 | |
| Footloose - Solo Sheet | $6.00 |
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Description
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More about this title
About the Composer: Kenny Loggins
Kenny Loggins emerged from the singer-songwriter tradition of the 1970s and became one of the era's most distinctive voices in film and pop music. His gift for crafting memorable melodies and emotionally direct lyrics made him a natural fit for soundtrack work, where he created some of the decade's most enduring songs. Beyond his solo career, Loggins collaborated with Jim Messina as part of Loggins and Messina, establishing himself as both a skilled performer and a composer with genuine commercial instincts.
Why we love this
John Berry's arrangement captures the unbridled energy that made 'Footloose' a cultural phenomenon while remaining totally playable for a Grade 3 ensemble. The inclusion of solo opportunities for trumpet and alto sax gives students a chance to step into the spotlight within a rhythmically propulsive, high-engagement chart.
What to expect
The piece pulses with the infectious confidence of an era-defining pop hit, bristling with energy but never losing sight of its underlying groove. It's simultaneously fun to play and immediately recognizable, hitting that rare sweet spot where musical satisfaction and audience connection come together naturally.
Who it's for
Jazz ensembles at the intermediate level who want to program something with genuine audience appeal and clear structural momentum. This works equally well for groups new to jazz idioms and ensembles looking for a fun, accessible addition to a pop or film music concert.
How to get the most out of it
- Keep the rock feel locked in the rhythm section without letting it drag; this chart thrives on momentum rather than restraint.
- Balance the solo voices so they cut through the ensemble without requiring the sections to pull back artificially.
- The driving quality comes partly from articulation choices; work with your band on crisp, unified tonguing in the full ensemble passages.
- Record a quick run-through early in rehearsal to let students hear how the piece sits together before detailed section work.
How to use it
Pair this with other film hits from the 1980s to create a themed set, or use it as a closer on a jazz concert where you want to send the audience out energized. It also serves as an excellent teaching tool for studying rock and pop arrangements within the context of ensemble writing.
Skills your students will build
- Driving rock and funk rhythms in ensemble context
- Solo articulation and phrasing within an ensemble texture
- Balancing accompaniment with featured melodic voices
- Maintaining groove feel across ensemble parts
- Reading and interpreting jazz and pop stylistic markings