Follow That Star: TB Choral Octavo
Words and music by Jay Althouse
Item: 00-PO-0003297
Minimum order quantity: 20 copies
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About the Composer: Jay Althouse

Jay Althouse studied Music Education and Music at Indiana University of Pennsylvania, where he later received the Distinguished Alumni award. His career spans both publishing leadership and composition; he spent eight years managing rights and licenses for a major educational publisher and served on the Executive Board of the Music Publishers Association of America. As a composer, he has created over 800 choral works performed regularly across the English-speaking world.
Althouse's contributions to music education extend far beyond his compositions. He has co-written children's musicals with Sally K. Albrecht, his wife and frequent collaborator; compiled respected vocal solo collections; and authored classroom resources including Ready to Read Music and One-Page Composer Bios. As a writer member of ASCAP, he is a regular recipient of the ASCAP Special Award. His choral work I Hear America Singing, co-written with Albrecht, was performed by the San Francisco Girls and Boys Choirs at President Barack Obama's inauguration in 2009. He has served on boards for the North Carolina Master Chorale and the Folk Art Society of America.
Why we love this
Althouse understands what treble and lower voices need to succeed together. The modal harmonies and open intervals sound sophisticated without demanding technical prowess, which means your singers can focus on creating warmth and stature rather than wrestling with complex voicing. The available instrumentation transforms this from a simple choral piece into a full processional statement.
What to expect
Imagine walking into a cathedral at dusk, light filtering through stained glass. This processional has that quality of reverence without excess. The modal harmonies evoke timelessness, while the open intervals create space for the words to breathe and for singers to feel the solemnity of the occasion.
Who it's for
This octavo suits church choirs, school holiday programs, and community choirs looking for a piece with dignity and restraint. The flexible voicing (TB/TTB/TBB/TTBB) means you can use it whether you have limited singers or a fuller ensemble.
How to get the most out of it
- Let the open intervals ring. Resist the urge to add vibrato or ornament the line; the clarity of modal harmony depends on stillness and resonance.
- Balance the parts so no single voice dominates. TB voicing requires attention to how the lower voices anchor the treble line without overpower.
- Use the recorded accompaniment first to establish the processional tempo and character. Once your choir internalizes the pulse, you can conduct with confidence.
- Differentiate the harmonic color by voice section. Modal writing benefits when treble voices maintain brightness while lower voices stay warm and grounded.
How to use it
Open your holiday concert or seasonal worship service with this piece. Its processional character makes it ideal for an entrance or for a moment of transition between parts of your program. The 12-page score and available instrumental parts mean you can build a moment of true ceremony without overwhelming rehearsal time.
Skills your students will build
- Singing in modal harmony and recognizing modal color and interval relationships
- Blending open intervals across voice parts to achieve unified tone
- Maintaining steady pulse and ensemble cohesion during processional movement
- Reading flexible TB/TTB/TBB/TTBB voicing options and adapting parts to ensemble size