Folk Songs for Solo Singers, Vol. 2 (Medium Low Voice) Cover Image

Folk Songs for Solo Singers, Vol. 2 (Medium Low Voice): Digital Audio Download

$16.99 USD
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Folk Songs for Solo Singers, Vol. 2 (Medium Low Voice) Cover Image

Folk Songs for Solo Singers, Vol. 2 (Medium Low Voice): Digital Audio Download

14 Folk Songs Arranged for Solo Voice and Piano... For Recitals, Concerts, and Contests

Compiled and ed. Jay Althouse

Item: 00-AA-0000266

$16.99
Digital Download
Description

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Sample Pages

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Sample Audio
1 01 The Water Is Wide --:--
2 02 Cindy --:--
3 03 All Through the Night --:--

01 The Water Is Wide

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Sample Video
Additional Details
Series: For Solo Singers
Publisher: Alfred Music
SKU: 00-AA-0000266

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse earned his B.S. in Music Education and M.Ed. in Music from Indiana University of Pennsylvania, where he later received the Distinguished Alumni award. His work in educational music publishing shaped his understanding of what singers need; he spent eight years managing rights and licenses for a major publisher and served on the Executive Board of the Music Publishers Association of America.

Althouse has established himself as a prolific composer with over 800 choral works in print, performed widely across English-speaking countries. Beyond composition, he has compiled and arranged respected vocal solo collections, co-written children's musicals with Sally K. Albrecht, and authored several classroom resources including Ready to Read Music and One-Page Composer Bios. As a writer member of ASCAP, he is a regular recipient of the ASCAP Special Award. He serves on the National Advisory Board of the Folk Art Society of America and contributes to its publications.

Why we love this

Althouse understands the solo singer's voice and the demands of recital repertoire. This collection bridges accessible folk material with genuine artistic substance, offering medium-low singers authentic arrangements that respect both the source material and the voice type. The inclusion of audio download means singers have immediate reference and accompaniment support for rehearsal and performance.

What to expect

These arrangements honor the simplicity and directness of folk material while providing harmonic sophistication and musical substance. Singers will find melodies that feel natural to the voice, lyrics that tell stories worth telling, and accompaniments that support without overwhelming.

Who it's for

Medium-low voice singers seeking recital repertoire that balances accessibility with artistic credibility. This collection serves soloists preparing for voice recitals, music festivals, and auditions who want folk material that sits naturally in their vocal range.

How to get the most out of it

  • Study the audio download first to absorb the melodic contours and phrasing before diving into the printed score. Hearing Althouse's interpretive choices will clarify where the natural breath points and expressive peaks fall.
  • Pay attention to text underlay and diction; folk arrangements often hinge on clear storytelling. Let the lyrics guide your musical line rather than imposing operatic phrasing onto material meant for directness.
  • Use the accompaniment track during rehearsal to lock into the harmonic and rhythmic foundation, but practice singing a cappella regularly. This builds confidence and ensures you own the melody independent of the piano.
  • Consider the emotional character of each piece before performing. Folk songs often carry narrative weight; singers who commit to the story create authentic, memorable performances.

How to use it

Program individual selections as recital anchors or build a thematic recital around several songs from the collection. Folk material pairs effectively with art song and contemporary repertoire, offering audiences a change of pace while maintaining artistic integrity. This collection also works well for voice students preparing diverse audition repertoire.

Skills your students will build

  • Stylistic differentiation between folk arrangements and art song or musical theater
  • Narrative interpretation and text-driven phrasing
  • Accurate melodic reading and intonation in tonal folk contexts
  • Collaboration with accompanist using reference audio as a guide

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