Folk Dances from Around the World Cover Image

Folk Dances from Around the World: Book & Online Audio

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Folk Dances from Around the World Cover Image

Folk Dances from Around the World: Book & Online Audio

Arr. Sandy Feldstein, Debbie Cavalier/ Dance direction by Fredericka Moore / ed. Bryce Bowmar

Grade: 2-6

Item: 00-BMR05114

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Description
American, German, Italian, French---here's a great sampling of each dance using such tunes as Captain Jinks * Oh, Johnny! * Patty Cake Polka * Military Schottische * Sicilian Circle * Varsouvienne. Includes a listing of national dance organizations in the U.S. and Canada.

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Additional Details
Series: World Dance Series
Publisher: Alfred Music
Page Count: 20
ISBN10: 0-89898-776-8
ISBN13: 978-0-89898-776-8
UPC: 029156088601
SKU: 00-BMR05114

More about this title

Why we love this

This collection bridges cultural geography and kinesthetic learning in ways that straightforward sheet music rarely does. By pairing six distinct folk dances with their musical contexts and including a resource guide for national dance organizations, Moore creates a gateway for students to understand dance as a living cultural practice rather than a historical artifact.

What to expect

Each dance carries the rhythmic DNA of its origin: the crisp, controlled energy of German marching traditions in the Military Schottische; the lilting, circular grace of the French Varsouvienne; the spirited, communal warmth of Italian and American country dances. Together, these pieces feel like a passport through folk traditions, inviting students into music that belongs to real people and communities.

Who it's for

This book serves elementary and middle school music teachers, classroom teachers integrating the arts, and dance educators who want grounded musical accompaniment for folk dance instruction. It's also valuable for ensemble directors programming multicultural concerts or cultural celebration events.

How to get the most out of it

  • Use the online audio to establish tempo and phrasing before teaching the dance steps; students absorb rhythm faster when they hear the full arrangement first.
  • Have students listen to the recording while following the written dance notation, then separate the auditory and kinesthetic learning: play the music without looking at notation once they know the steps.
  • Teach one or two dances per session rather than all six at once; distributed learning gives students time to internalize footwork and style between rehearsals.

How to use it

Feature one or two dances in a multicultural concert alongside traditional songs or instrumental pieces from the same cultures. Alternatively, teach one dance per month throughout the year as a rhythmic and cultural supplement to regular music classes, using the resource guide to deepen student research into each tradition's history.

Skills your students will build

  • Understanding rhythm and phrasing through movement
  • Recognizing musical characteristics of different national traditions
  • Coordinating listening with physical response
  • Learning call-and-response and partner dance structures
  • Building cultural awareness and respectful engagement with folk practices

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