Flying Free! Sheet Music Preview

Flying Free!: SATB Choral Octavo

By Lloyd Larson

Item: 35-DS00399434

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Additional Details
Publisher: Hal Leonard
Page Count: 7
SKU: 35-DS00399434

More about this title

About the Composer: Lloyd Larson

Lloyd Larson has built a prolific career composing accessible, emotionally resonant music for choirs of all levels. His output spans sacred and secular repertoire, with a gift for setting text that resonates in both worship and concert settings. Larson's arrangements and original compositions prioritize singability without sacrificing musical substance, making his work a staple in directories from high school to professional choirs.

Why we love this

Larson captures the emotional arc of aspiration and liberation in music that feels genuinely uplifting without tipping into sentimentality. The piece lands perfectly for graduation, festival, or any program where you need something that moves an audience while remaining technically manageable for singers who aren't reading complex rhythms or extreme ranges.

What to expect

Uplifting and hopeful, with a sense of possibility that builds throughout the piece. The harmonic language feels warm and contemporary without straying into overly modern territory, making it comfortable for singers while still feeling fresh to audiences.

Who it's for

High school choirs, community ensembles, and college groups seeking concert material with inspirational text and straightforward vocal writing. Directors programming graduation ceremonies or festival performances will find this accessible to intermediate-level singers without needing extensive rehearsal time.

How to get the most out of it

  • Shape the phrase contours with dynamic restraint in the first section; save your climactic moments for the text about freedom to give the final statements real weight.
  • Balance the upper voices carefully in sections where sopranos and altos diverge. Larson's harmony can obscure the alto line if they're not singing with clear projection.
  • Find the underlying pulse in any syncopated figures rather than fighting against them; this piece breathes most naturally when rhythms feel organic rather than metronomic.

How to use it

Pair this with other contemporary sacred or inspirational works for a thematic concert, or use it as your closer at a graduation ceremony where the text will resonate with the moment. It also works beautifully in spring festivals where concert choirs showcase lighter, more affirming material alongside their heavier classical repertoire.

Skills your students will build

  • Sustaining legit tone across phrase lengths without breath tension
  • Blending soprano and alto lines in contemporary four-part writing
  • Interpreting motivational text with genuine emotional conviction rather than oversinging

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