Fly Me To The Moon (In Other Words) (arr. Roger Emerson) Sheet Music Preview

Fly Me To The Moon (In Other Words) (arr. Roger Emerson): 3-Part Mixed Choral Octavo

By Bart Howard / As performed by Tony Bennett / As performed by Frank Sinatra / Arranged by Roger Emerson

Item: 35-DS00474156

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS00474156

More about this title

About the Composer: Bart Howard

Bart Howard (1915-2004) was an American composer and lyricist whose career spanned Broadway, film, and popular song. Though he wrote extensively for theater and cinema, he is best remembered for "Fly Me to the Moon," a standard that has become a cornerstone of the jazz repertoire and a favorite at weddings and formal events worldwide.

Howard's gift for melody and his understanding of what makes a song singable across generations ensured his work endures in choral settings. His compositions appear regularly in jazz and pop curricula, offering educators accessible entry points into standard repertoire.

Why we love this

Roger Emerson's 3-part mixed arrangement makes this iconic standard genuinely accessible without sacrificing its charm. The voicing sits comfortably for mixed ensembles while preserving the jazz sensibility that makes the tune so recognizable; singers and audiences both know this melody, which means your choir gets immediate engagement and the satisfaction of delivering something genuinely beloved.

What to expect

Romantic without being saccharine, playful without losing elegance. The melody floats easily, and Emerson's arrangement gives singers room to breathe while maintaining the suave, timeless quality that made the original recordings so captivating.

Who it's for

Choirs looking for repertoire that connects with audiences immediately. This works for mixed groups seeking wedding or formal event material that feels both sophisticated and singable, whether your singers have jazz experience or are encountering this standard for the first time.

How to get the most out of it

  • Shape the melodic line with the ease of natural speech, allowing the legit lyricism to come through without forcing. The beauty lives in conversational delivery, not operatic grandeur.
  • Balance the harmony voices so they support rather than compete with the melody; in a piece this well-known, clarity of the tune matters most.
  • Use rubato thoughtfully in phrases like "In other words" to mirror how vocalists in the jazz tradition treat this material, but mark these moments clearly in rehearsal to keep the ensemble together.

How to use it

Pair this with other jazz standards or American songbook selections for a concert celebrating classic song. It also serves beautifully as an encore or as wedding or gala music where your audience expects something warm and familiar. The 11-page score moves quickly, making it feasible to learn even late in your rehearsal schedule.

Skills your students will build

  • Maintaining melodic phrasing in a jazz context
  • Balancing melody and harmony in close voicing
  • Interpreting standards through conversational delivery rather than classical technique
  • Supporting well-known material with fresh interpretation

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