Fly Me To The Moon (In Other Words) (arr. Berty Rice): SSA Choral Octavo

Berty Rice's SSA voicing opens this Bart and Kassel standard to treble choirs while preserving the sophisticated harmony and lyrical elegance that made Sinatra's version iconic. The arrangement respects the song's jazz sensibility without demanding advanced harmonic reading, making it accessible for developing singers who deserve great material.

Conversational and romantic without sentimentality. The arrangement glides through familiar jazz changes with a lightness that suggests stargazing rather than grand gesturing, allowing singers to inhabit the lyrics as their own reflection.

Treble choirs preparing wedding repertoire, spring concert programming, or jazz-influenced concert sets. This works especially well for groups seeking sophisticated standards that don't require years of jazz ensemble experience to sing convincingly.

• Shape the melody with Sinatra's restraint in mind. The power of this song lives in intimate phrasing rather than volume; let the accompaniment support without overwhelming the voice.
• Balance the SSA voicing by anchoring the altos in the first verse. Their foundation allows sopranos to float without strain and opens space for harmonic clarity.
• Treat the bridge as a moment of gentle lift rather than dramatic climax. The lyrical arc matters more than dynamic contrast in this style.

Pair this with other jazz standards or use it as a bridge between classical and pop repertoire on concerts that need tonal variety. It also serves as an excellent choice for weddings, galas, or end-of-year performances where accessible sophistication sets the right mood.

• Jazz phrasing and the distinction between legit and swung approaches to diction
• Singing over chord changes rather than relying purely on melodic line
• Blending in three-part voicing while maintaining individual line integrity
• Interpretation of standard arrangements and understanding historical performance context