Fly Me To The Moon (arr. Keely Hodgson): TBB Choral Octavo

Keely Hodgson's TBB voicing opens this classic to male voices while preserving the song's romantic warmth and sophisticated jazz harmonies. The two-page format keeps rehearsal time realistic while the arrangement captures the standard's iconic quality, making it ideal for concerts, competitions, or as a centerpiece that demonstrates how well-known material can translate across voicings.

Sophisticated yet intimate, like a late-night conversation set to music. The arrangement captures moonlit romance without overselling sentiment; the jazz harmonies add urban coolness while the melody floats effortlessly above the support voices.

Treble and mixed male choirs seeking accessible repertoire that carries real musical substance. This works equally well for high school groups developing jazz vocabulary and adult choirs wanting to program something their audiences recognize and love.

• Shape the melody with the contour of the lyric rather than strict dynamic markings; the jazz idiom rewards conversational phrasing over mechanical rhythm.
• Balance is key with three distinct voice parts; spend rehearsal time on blend within each section before mixing them together.
• Allow the tenors and baritones room to lock the harmonic foundation while supporting the lead voice, creating depth without muddiness.
• The digital format lets you adjust accompaniment tempo to match your ensemble's comfort level during early rehearsals, then lock it in as confidence builds.

Perfect as a standalone feature or paired with other standards to create a jazz-focused concert set. The brevity and instant recognizability make it particularly strong as a closer that leaves audiences smiling.

• Jazz phrasing and swing articulation
• Three-part voice independence in close harmony
• Melodic storytelling through lyrical interpretation
• Harmonic listening within contemporary popular song structures