Fly / I Believe I Can Fly (Choral Mash-up from Glee) (ed. Mark Brymer): SSA Choral Octavo

This mash-up taps into two songs with completely different emotional landscapes, and Brymer's arrangement uses that contrast brilliantly. The SSA voicing keeps the part-writing lean and singable without sacrificing the impact, and you'll find your singers motivated by material they already know and love.

This arrangement sits in the space between inspiration and affirmation. The opening builds with steady determination, then opens into something more soaring and celebratory as the two melodies intertwine. There's a theatrical generosity to the sound that makes even a smaller choir feel expansive.

Choirs at the middle school, high school, or early college level looking for contemporary material that engages both singers and audiences. Directors seeking a pop arrangement with real choral substance rather than a novelty piece will appreciate Brymer's craft here.

• Balance the texture between the two melodies when they overlap. One song should anchor the harmonic foundation while the other adds color on top; mark those moments clearly in rehearsal so singers understand their role in each phrase.
• Nail the transitions between songs. These moments need clean cutoffs and clear breathing points so the mood shift lands with the audience rather than feeling accidental.
• Let the emotional arc breathe. The arrangement moves between uplift and vulnerability, so resist the urge to maintain the same energy throughout; shape the dynamics intentionally to honor both songs.
• Work the rhythm section and accompaniment together in advance if you're performing with a band or click track. The grid needs to feel secure so singers can focus on blending and phrasing.

Consider this for a concert centered on contemporary pop or music from screen and television. It works equally well as a showstopper in a mixed program or as the anchor in a thematic set about resilience and belief. The 13 pages give you substantial material without overwhelming rehearsal schedules.

• Balancing two distinct melodic lines simultaneously
• Navigating harmonic changes that reflect song mashups
• Dynamic shaping across contrasting emotional sections
• Rhythmic precision in contemporary pop idioms
• Blending vowels across SSA voicing to create unified choral tone