Float, Sting Cover Image

Float, Sting: Contemporary Small Ensemble

$165.00 USD
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Float, Sting Cover Image

Float, Sting: Contemporary Small Ensemble

For Sextet

By George Lewis

Item: 98-EP68747

$165.00
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Description

In his prefatory remarks at its premiere at the Bang on a Can All-Stars' 2018 People's Commissioning Fund concert, George Lewis described his sextet float, sting as "nine minutes of noisy stuff." The title invokes Muhammad Ali's celebrated epigram, "Float like a butterfly, sting like a bee / His hands can't hit what his eyes can't see", and the playful violence of the exotic sonorities called for in the score allows the heterogeneous lineup of instruments (clarinet, electric guitar, piano, cello, contrabass, drum set) to spar on equal terms.

float, sting is part of the Peters Contemporary Chamber Series.



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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 32
ISBN10: 0-30-076213-5
ISBN13: 979-0-30-076213-5
SKU: 98-EP68747

More about this title

About the Composer: George Lewis

George Lewis is a composer and scholar whose work bridges experimental music, technology, and cultural critique. His compositions for chamber ensembles often employ heterogeneous instrumentation and unconventional sonorities to interrogate how different voices can occupy the same musical space with equal authority.

Why we love this

float, sting delivers genuine compositional invention without sacrificing ensemble coherence. The sextet's mixed instrumentation forces each player to listen across instrumental families, and the title's Ali reference adds intellectual weight that resonates with thoughtful performers who want their chamber music to mean something beyond itself.

What to expect

Nine minutes of carefully orchestrated friction and conversation. The piece playfully exploits the tensions between clarinet's woodwind timbre, guitar's amplified sustain, piano's harmonic presence, and the low-frequency anchor of cello and contrabass, creating something simultaneously noisy and intricate.

Who it's for

Chamber ensembles ready to commit to contemporary classical music and performers comfortable with extended techniques across their instruments. This work suits festivals, concert series devoted to new music, and ensembles seeking substantial repertoire that demands serious collaboration.

How to get the most out of it

  • Balance the exotic sonorities across the ensemble by listening for how clarinet, electric guitar, and piano create harmonic color together rather than competing for prominence.
  • Attend closely to the drum set's role as both rhythmic anchor and textural participant; the interaction between drums and contrabass often defines the ensemble's forward motion.
  • Treat the score's notation carefully, as contemporary practice techniques and extended techniques are central to the composition's argument.

How to use it

Program float, sting alongside other Peters Contemporary Chamber Series works to create a cohesive concert statement, or pair it with twentieth-century chamber music to trace how composers have approached heterogeneous ensemble writing. The piece works particularly well on festivals or concert series dedicated to experimental and contemporary music.

Skills your students will build

  • Reading contemporary notation and extended techniques across multiple instruments
  • Ensemble listening across timbral and instrumental boundaries
  • Rhythmic precision and flexibility in non-traditional metric contexts
  • Balancing independent lines within a heterogeneous ensemble texture

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