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Flight of the Flutes: Concert Band Conductor Score

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Flight of the Flutes Cover Image

Flight of the Flutes: Concert Band Conductor Score

Showcasing the Flute Section

By James D. Ployhar

Grade: 3 (Medium Easy)

Item: 00-26752S

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Description
The flute section takes front and center to display their finger dexterity in this novel James D. Ployhar original tune. The flutists are sometimes overlooked as they provide the filigree to many instrumental works. Mix it up and let them be the focus of attention with this feature. This title is available in MakeMusic Cloud.

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Additional Details
Series: Belwin Concert Band
Publisher: Alfred Music
Page Count: 16
UPC: 038081290461
SKU: 00-26752S

More about this title

About the Composer: James D. Ployhar

James D. Ployhar

James D. Ployhar has shaped music education for decades through prolific composition and thoughtful pedagogy. With more than 800 published works to his name, he authored the Contemporary Band Course, now published by Alfred Music and adopted internationally, including translations in French and Norwegian. His formal training spans degrees from Valley City State University and Northern Colorado University, with graduate composition study under Morris Hutchings Ruger at California State University-Long Beach, complemented by orchestration work with Knud Havalde of the Danish Royal Philharmonic Orchestra.

Beyond the page, Ployhar spent over 19 years teaching in public schools and has conducted clinics and workshops at the college and university level throughout the United States, Canada, Norway, Germany, and England. His music has appeared on network television and been performed internationally across Europe, Japan, and the Pacific Rim. He holds the National Band Association Citation of Excellence for his contributions to band music, the Distinguished Alumnus Award from his alma mater, and membership in the American Bandmasters Association.

Why we love this

Ployhar recognizes what many conductors overlook: flute sections deserve moments in the spotlight that genuinely showcase their artistry rather than relegating them to harmonic support. This original tune gives your flutists a featured vehicle that's musically satisfying for them to play and engaging for your audience to hear, all without sacrificing ensemble balance in the rest of the concert band.

What to expect

Sparkling and fleet, with the kind of nimble character that lets flutists dance through finger work that's challenging enough to be satisfying but never feels awkward. The novelty element keeps things light and fun rather than precious or overly dramatic.

Who it's for

Concert bands at the Grade 3 level looking for an accessible feature that highlights the flute section without requiring virtuosic technique. This works equally well for groups with developing flutists who need a confidence-building solo opportunity and for more advanced sections seeking a charming, straightforward showcase.

How to get the most out of it

  • Give the flute section room to breathe during their exposed passages; resist the urge to artificially balance them up with the rest of the ensemble during the feature sections.
  • Mark tempo clearly in your score and establish it confidently before the flute section enters, since they'll be relying on your gesture for their rhythmic security more than usual.
  • Balance the support parts (woodwinds and brass) so they enhance the flute line rather than compete with it; lighter articulation in the accompaniment often serves the feature better than full ensemble weight.

How to use it

Slot this into a concert where you want to shift focus midway through, especially useful before or after a heavier, more complex work to give your audience (and your ensemble) a moment of musical variety. It's also ideal for pops concerts or family-friendly programs where a feature piece adds personality without demanding serious interpretive depth.

Skills your students will build

  • Sustained finger dexterity and articulation clarity in rapid passages
  • Playing as a featured section while maintaining ensemble awareness
  • Balancing individual prominence with blend in a small-group context
  • Responsiveness to a conductor's gesture in exposed musical moments

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