Flight of the Bumblebee Cover Image

Flight of the Bumblebee: 12 Trumpets Score & Parts

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Flight of the Bumblebee Cover Image

Flight of the Bumblebee: 12 Trumpets Score & Parts

By Nikolai Rimsky-Korsakov / arr. David Marlatt

Level: Difficult

Item: 81-TE12209

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Description
This arrangement opens with open sections of quiet "bumblebees" (cup muted trumpets) with an number of trumpets playing orchestral excerpts. These are at the discretion of the players and can range from the opening of "Pictures" to excerpts involving 4+ trumpets. After a short "Also Sprach Zarathustra" opening, the expected "Flight of the Bumblee" arrives. This introduction can be omitted and the traditional piece can be played in its entirety. (2:45)

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
Page Count: 48
ISBN10: 1-55473-876-8
ISBN13: 978-1-55473-876-2
UPC: 685462018772
SKU: 81-TE12209
Instrumentation: 12 Trumpets

More about this title

About the Composer: Nikolai Rimsky-Korsakov

Nikolai Rimsky-Korsakov (1844, 1908) was a Russian composer and teacher who shaped the sound of Russian classical music through his bold orchestrations and vivid harmonic language. His gift for orchestral color made him one of the most influential voices of the late Romantic era, and his works remain staples of both concert halls and music education programs worldwide.

Rimsky-Korsakov's technical mastery of instrumental writing comes through clearly in pieces like Flight of the Bumblebee, where rapid figurations demand precision and agility from performers. His influence on twentieth-century composers was profound, and his emphasis on craft and orchestral clarity continues to inspire students and professionals alike.

Why we love this

David Marlatt's arrangement transforms a solo showpiece into a spectacular ensemble experience that challenges all twelve players simultaneously. The optional orchestral opening gives you programming flexibility while the signature Flight sequence delivers the technical fireworks your audience expects, all wrapped in a manageable 2:45 runtime.

What to expect

The piece swarms with controlled energy. Cup mutes create an intimate, buzzing texture at the outset before the full ensemble erupts into the breathless, darting passagework that defines Flight of the Bumblebee. There's both comedy and virtuosity here, and the writing keeps all twelve players fully engaged throughout.

Who it's for

This arrangement demands a mature trumpet section with secure high-range technique and the ability to navigate rapid figurations with articulation clarity. It works for competitive concert groups, festival submissions, or programs seeking to showcase the capabilities of a full trumpet choir.

How to get the most out of it

  • Balance the cup-muted opening passages carefully; these delicate entries establish the piece's character, so clarity matters more than volume.
  • Work the rhythmic unison passages as a section before tackling the rapid scalar material; locked ensemble articulation becomes your foundation for the faster runs.
  • The alternating orchestral excerpts invite personality from your soloists and small groups, so encourage players to shape their phrases distinctly rather than blending everything into one wash.
  • Approach the main Flight section with careful attention to intonation in the upper register, where the speed can expose small tuning gaps across the twelve parts.

How to use it

Save this for a concert moment when you want to demonstrate your section's technical command and ensemble unity. The flexible introduction allows you to adjust performance length to fit your program's pacing, while the famous melody guarantees engagement from any audience member familiar with classical music.

Skills your students will build

  • Rapid scalar articulation and single-tonguing endurance
  • Balance and blend in large ensemble textures
  • Intonation control in extended high range
  • Rhythmic precision and unison ensemble playing
  • Muted trumpet technique (cup mute application and tone control)
  • Coordination between independent melodic lines and harmonic support

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