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Fix You: SATB Choral Octavo

By Chris Martin / By Guy Berryman / By Jon Buckland / By Will Champion / As performed by Glee Cast / As performed by Coldplay / Arranged by Adam Anders / Arranged by Peer Astrom

Item: 35-DS00240944

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS00240944

More about this title

About the Composer: Chris Martin

Chris Martin is the lead vocalist and primary songwriter for Coldplay, the British rock band that emerged in the early 2000s with a signature blend of alternative rock, pop sensibility, and emotional directness. His songwriting prioritizes memorable melodies and lyrics that resonate across generations, making his work a natural fit for choral arrangements that seek contemporary material with genuine staying power.

Why we love this

Adam Anders and Peer Astrom have captured the song's soaring emotional arc without sacrificing the pop accessibility that makes it instantly recognizable to students. The arrangement gives choirs a chance to tackle contemporary material that feels current and meaningful rather than dated, while the four-part voicing remains singable across mixed-ability ensembles.

What to expect

The arrangement captures the song's quiet vulnerability before gradually swelling into something anthemic. Students will feel the emotional weight of the lyrics while the music itself builds a sense of collective purpose and uplift characteristic of Coldplay's production style.

Who it's for

Choirs seeking contemporary repertoire that bridges the gap between what students hear on streaming services and concert programming. Works equally well for show choirs, community ensembles, and high school concert choirs looking to connect with their audience through familiar material.

How to get the most out of it

  • Shape the dynamic arc carefully. This arrangement builds from introspection to catharsis, and the payoff only lands if earlier sections genuinely breathe and pull back.
  • Blend the harmonies in the chorus sections; the power of this piece comes from unified voices rather than soloistic presentation.
  • Communicate the lyrics with specificity. The students know this song already, so they understand what it's about. Trust their emotional connection and let them tell that story through clear diction and phrasing.

How to use it

Program this as a standalone contemporary piece within a concert that balances classical and modern work, or build a set around other rock and pop arrangements to showcase your choir's versatility. Its length and emotional intensity make it suitable for either a concert closer or a transition piece that signals a shift in mood.

Skills your students will build

  • Dynamic control and sustained phrasing in pop/contemporary idiom
  • Blend and balance in close four-part harmony
  • Text interpretation and emotional communication in secular repertoire
  • Singing contemporary material with musical maturity rather than imitation

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