Fix You Sheet Music Preview

Fix You: SSA Choral Octavo

By Chris Martin / By Guy Berryman / By Jon Buckland / By Will Champion / As performed by Glee Cast / As performed by Coldplay / Arranged by Adam Anders / Arranged by Peer Astrom

Item: 35-DS00240941

Digital Download
$2.99
Description

Fix You: SSA Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS00240941

More about this title

About the Composer: Chris Martin

Chris Martin is the lead vocalist and primary songwriter of Coldplay, one of the most influential rock bands of the 21st century. His gift for crafting emotionally direct melodies and lyrics has made him a significant figure in contemporary music, with work that crosses easily between rock radio and choir arrangements. For music educators, Martin's compositions offer accessible entry points into arranging popular music for young singers while maintaining artistic integrity.

Why we love this

This arrangement captures everything that makes "Fix You" resonate with singers and audiences alike: the gentle build from introspection to cathartic release. Anders and Astrom have crafted voicing that sits naturally for developing SSA singers while preserving the song's emotional arc, making it equally effective as a concert closer or a program centerpiece that connects with listeners who know the original.

What to expect

The piece unfolds like watching someone move from vulnerability to strength. It begins almost whispered, intimate, then gradually gathers warmth and energy until it swells into something transformative and hopeful. Singers feel the emotional journey as they sing it, not just technically execute it.

Who it's for

This octavo works beautifully for high school and college choirs looking to program contemporary material with genuine emotional weight. It's ideal for directors who want to engage singers with a song they likely know and love while teaching them how arrangement shapes performance and storytelling.

How to get the most out of it

  • Shape the opening section with restraint. The first verse works best when singers treat it almost like understatement, letting the harmony grow gradually rather than pushing volume from the start.
  • Lock the rhythm section into a steady, supporting pulse. This arrangement depends on rhythmic clarity to build tension effectively across the progression.
  • Mark the dynamic turning point clearly in rehearsal. Singers need to understand exactly where the energy shifts so the climax feels earned rather than abrupt.
  • Balance the harmony voices carefully as texture thickens. A common stumble is letting the alto line overshadow the melody; spotlight the top line while keeping accompaniment voices transparent.

How to use it

Consider opening the second half of a concert with this number to shift the emotional temperature after a set of classical or traditional repertoire. It also works as a powerful penultimate piece before a final uplifting selection, giving audiences a moment of genuine feeling before the program concludes.

Skills your students will build

  • Building dynamics gradually across multiple phrases without jumping to full volume prematurely
  • Blending three-part harmony while maintaining independence between lines
  • Interpreting contemporary songwriting and lyrical phrasing with musical sensitivity
  • Sustaining tension through harmonic movement and managing emotional pacing across a complete arc

You May Also Like