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Fix You: SAB Choral Octavo

By Chris Martin / By Guy Berryman / By Jon Buckland / By Will Champion / As performed by Glee Cast / As performed by Coldplay / Arranged by Adam Anders / Arranged by Peer Astrom

Item: 35-DS00240927

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS00240927

More about this title

About the Composer: Chris Martin

Chris Martin is the lead vocalist and primary songwriter of Coldplay, a band that has shaped contemporary pop and rock since the early 2000s. His compositional approach blends atmospheric production with deeply emotional melodies, creating songs that resonate across a wide range of listeners and performance contexts. In the choral classroom, Martin's work offers students access to music that feels relevant and modern while maintaining the harmonic sophistication and lyrical depth that make it rewarding to sing.

Martin's influence on music education extends through arrangements like this one, which open the door for younger singers to engage with repertoire they know and love. His collaborative process with arrangers like Adam Anders demonstrates how contemporary songwriting can translate effectively to choral voices without losing its emotional core.

Why we love this

This arrangement captures the soaring emotional arc that makes 'Fix You' resonate with audiences, translated into an accessible SAB voicing that doesn't compromise the song's power. The 10-page octavo gives you room to develop genuine musicality and dynamic storytelling with your singers, moving beyond novelty pop into something that feels like real choral work. Directors consistently report that students bring authenticity and investment to this piece because it matters to them.

What to expect

The piece unfolds with understated vulnerability, building gradually from intimate verses into moments of genuine catharsis. Harmonically warm and anchored by a steady pulse, it creates space for the text to land emotionally while the voices blend into something larger than the individual line. There's a cinematic quality to it, as though the choir is narrating something deeply personal.

Who it's for

This octavo serves choirs looking to program music that connects with singers emotionally and sounds contemporary without sacrificing musicality. It works for high school and adult ensembles seeking repertoire that bridges pop culture and choral artistry. The SAB voicing makes it accessible while the arrangement provides enough sophistication to keep experienced singers engaged.

How to get the most out of it

  • Establish the tension between the quiet, introspective verses and the building intensity of the chorus early in rehearsal. This emotional architecture shapes everything about phrasing and dynamic control.
  • Pay attention to breath placement across the ensemble. Staggered breathing in sustained passages keeps the line moving without obvious breaks.
  • Anchor your harmonic balance by having sopranos lock onto the top line while asking altos and basses to listen inward for blend. SAB writing benefits when the middle voices refuse to oversing.
  • If performing with recorded accompaniment, conduct through it to maintain expressive flexibility. The arrangement works best when voices lead the emotional shape rather than follow the track.

How to use it

Consider pairing this with other contemporary pop arrangements to create a set that demonstrates the range of modern songwriting available to choirs. It works well as a concert finale or as a bridge between traditional repertoire and more experimental contemporary work, showing audiences that relevance and artistry are not mutually exclusive. Schools frequently use it in spring concerts where student choice matters, or in community performances aimed at younger audiences.

Skills your students will build

  • Sustaining long phrases with consistent breath support and tone
  • Balancing exposed harmonic movement in an SAB texture
  • Navigating dynamic range from intimate verses to powerful crescendos
  • Interpreting contemporary chord progressions with expressive intent
  • Blending voices while maintaining clarity of individual lines

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