Five-Star Ensembles, Book 3 Cover Image

Five-Star Ensembles, Book 3: Piano Book

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Five-Star Ensembles, Book 3 Cover Image

Five-Star Ensembles, Book 3: Piano Book

For Digital Keyboard Orchestra

By Dennis Alexander

Level: Late Elementary

Item: 00-47921

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Description
These arrangements from Dennis Alexander's Five-Star Solos collections provide young pianists with an opportunity to create exciting and entertaining performances with other players as a digital keyboard orchestra. Each arrangement has five or six separate parts, with each part having an assigned general MIDI sound. The arrangements are presented in score format, with each player's part on a single staff, and parts can be doubled or tripled for larger ensemble groups. Titles: A Bit Bewildered! * Jamaican Festival * The Lonely Fawn * Mystical Dance * Tahiti Tango.

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Sample Pages

Sample Audio
1 01 - Tahiti Tango --:--
2 02 - The Lonely Fawn --:--

01 - Tahiti Tango

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Sample Video
Additional Details
Series: Five-Star
Publisher: Alfred Music
Page Count: 24
ISBN10: 1-4706-4223-9
ISBN13: 978-1-4706-4223-5
UPC: 038081549828
SKU: 00-47921

More about this title

About the Composer: Dennis Alexander

Dennis Alexander

Dennis Alexander's career spans decades as both an educator and prolific composer of piano literature. Since 1986, his partnership with Alfred Music has produced over 400 publications and recordings, establishing him as a leading voice in educational piano repertoire across all levels. He held faculty positions at the University of Montana (where he chaired the piano department for 24 years), Cal State Fullerton, and Cal State Northridge, and has remained active as a clinician, adjudicator, and performer at national and international venues.

Beyond the classroom, Alexander has built a distinguished performance career as soloist, accompanist, and chamber musician, including a 1987 New York debut at Carnegie Recital Hall. His commissions from state and national organizations, combined with tours across Asia and appearances at MTNA conventions, reflect his standing as both a composer and advocate for music education. He currently resides in Albuquerque, New Mexico, where he continues to compose and conduct workshops.

Why we love this

Alexander's Five-Star Ensembles series transforms solo piano repertoire into collaborative experiences without requiring separate instrumental scores or specialized instrumentation. The MIDI sound assignments built into each part create a full orchestral texture that holds students' attention while reinforcing their role within a larger musical conversation, making ensemble playing accessible to pianists who might otherwise feel isolated at the keyboard.

What to expect

These arrangements sparkle with color and rhythmic vitality. Each piece (from the playful bewilderment of "A Bit Bewildered!" to the languid beauty of "The Lonely Fawn" and the tropical swagger of "Tahiti Tango") speaks in Alexander's signature voice: charming, unpretentious, and deeply musical without being precious. The ensemble context amplifies the joy of playing, turning what might feel like a solo spotlight into a shared performance experience.

Who it's for

Late elementary pianists who are ready for ensemble experience but lack access to traditional instrumental partners. Solo studio teachers and group piano instructors will find this collection especially valuable for recitals where multiple students can participate without requiring singers, string players, or wind players to accompany them.

How to get the most out of it

  • Assign parts strategically to students at different levels within your studio or class. The flexible doubling and tripling options allow you to accommodate varying numbers of pianists and distribute technical demands appropriately.
  • Have all players listen to a recording of the complete arrangement before rehearsal so they understand the full orchestral texture and how their individual part contributes to the whole.
  • Encourage students to listen for their MIDI sound during score study. Knowing whether they're the melody, bass line, or harmony layer helps them make informed interpretive choices about dynamics and phrasing.
  • Start rehearsals with a full play-through at a comfortable tempo, then work backward into problem sections. This preserves the ensemble's sense of shared purpose rather than fracturing the arrangement into isolated parts.

How to use it

Feature this collection at studio or school recitals where you want to celebrate ensemble work without the logistics of coordinating with other departments. The variety in mood and style across the five titles allows you to program contrasting pieces in sequence, giving the audience (and your students) textural relief while showcasing collaborative piano playing. Consider performing multiple arrangements back-to-back as a finale to highlight ensemble camaraderie.

Skills your students will build

  • Listening to ensemble partners while maintaining independent part control
  • Interpreting rhythmic and melodic content within a larger orchestral texture
  • Balancing personal part dynamics to support the overall arrangement
  • Coordinating entrance timing and phrase shaping with other pianists
  • Reading single-staff notation while tracking multiple simultaneous parts

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