Five Concert Waltzes for Piano and Orchestra: String Orchestra Conductor Score & Parts
Arranged by Jack Jarrett
Item: 35-PK00279790
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Description
Music suitable for a pops concert or as a light-hearted work featuring a piano soloist. Duration: 11:00
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK00279790
More about this title
Why we love this
Jarrett's arrangements capture the spirited energy of the waltz without demanding the brass and woodwind sections that often make pops programming complicated. The writing sits naturally for strings, allowing your ensemble to shine with clean, elegant voicing while the piano soloist commands attention. This is the kind of piece that makes audiences smile and your musicians actually want to come to rehearsal.
What to expect
Graceful, buoyant, and refined. These waltzes have the formal elegance of 19th-century salon music, but Jarrett's arrangement brings a modern lightness that keeps things from feeling overly precious or dated. There's genuine joy in the melodic lines and a sense of orchestral conversation that makes string players feel like partners in storytelling rather than accompanists.
Who it's for
String orchestras of intermediate to advanced ability, community orchestras seeking accessible concert pops repertoire, and collaborative pianists looking for work that highlights their artistry without requiring extensive solo recital training. Schools and regional ensembles building concert programming that appeals to audiences without sacrificing musical substance.
How to get the most out of it
- Establish a clear, steady tempo early and hold it throughout all five movements. Waltzes live and die by their rhythmic integrity, and any rushing will undercut the elegance.
- Balance the piano soloist so listeners hear the dialog between keyboard and strings rather than watching the pianist play over a harmonic wash.
- Shape the phrasing in the string lines with gentle dynamic swell on beat one of each measure; this lifts the waltz character without exaggerating.
- Coordinate with your pianist on ensemble entries, particularly transitions between movements, so timing feels inevitable rather than conducted.
How to use it
Position this as your pops opener or closer, where you want the audience relaxed and engaged. It also works beautifully mid-program as a tonal shift from heavier classical works, giving both ensemble and listeners a chance to breathe. The 11-minute duration makes it substantial enough to anchor a shorter concert section without overwhelming a single rehearsal block.
Skills your students will build
- Maintaining steady tempo in triple meter across multiple movements
- Balancing ensemble texture when accompanying a featured soloist
- Shaping lyrical string lines with dynamic control and phrase direction
- Coordinating ensemble entries and transitions between sections