First Prelude: 1st E-flat Alto Saxophone Sheet Music Preview

First Prelude: 1st E-flat Alto Saxophone

By George Gershwin / transcr. Ben Hawkins

Grade: 5

Item: 98-PC-RWS2554_AX1

Digital Download
$3.99
Description
Originally composed for piano, Gershwin's First Prelude suits the concert band perfectly! Its samba-like feel and spicy rhythms will set off musical fireworks at your next concert. A great way to introduce your students to the music of this American composer whose sound remains modern a century after its creation.

First Prelude: 1st E-flat Alto Saxophone isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: RWS - Symphony Band
Publisher: RWS Music Company
SKU: 98-PC-RWS2554_AX1

More about this title

About the Composer: George Gershwin

George Gershwin (1898-1937) bridged classical and popular music with a compositional voice that felt utterly modern and distinctly American. His ability to weave jazz idioms, blues inflections, and dance rhythms into concert works established him as a central figure in twentieth-century American music, influencing generations of composers who followed.

Why we love this

This arrangement captures the infectious energy of Gershwin's original piano work without losing its character in the transition to concert band. The samba-influenced rhythms and syncopated melodic writing create an immediate sense of excitement that audiences recognize and players enjoy executing, making it an ideal showpiece that also exposes students to a canonical American composer.

What to expect

The piece sparkles with rhythmic drive and Latin-tinged swagger, propelled by steady syncopated accompaniment beneath a melody that dances and occasionally struts. Its forward motion and bright character create the sensation of a celebration unfolding, full of confidence and infectious momentum.

Who it's for

Concert bands at the Grade 5 level seeking a high-energy masterwork arrangement that delivers immediate musical satisfaction and programming appeal. Directors who want to celebrate American concert band literature while introducing students to Gershwin's compositional language will find this an excellent fit.

How to get the most out of it

  • Balance the rhythmic vitality of the accompaniment parts so the main melody emerges clearly; the samba feel depends on crisp articulation in the supporting voices without them overshadowing the tune.
  • Shape the chromatic and syncopated passages with intentional phrasing rather than mechanical precision; Gershwin's writing rewards a touch of flexibility that respects the jazz-influenced origins of the piece.
  • Bring out the contrasting sections by adjusting dynamics and texture; this piece moves through distinct musical ideas, and clarity between them strengthens the overall arc.

How to use it

Program this as a concert opener or mid-program energizer when you need to shift the mood and engage your audience immediately. It pairs well alongside other twentieth-century American works or sits comfortably among light concert fare, and its compact length makes it ideal when you're balancing programming between longer dramatic works.

Skills your students will build

  • Syncopated rhythm reading and accurate execution
  • Latin and jazz-influenced stylistic interpretation
  • Balance and blend in ensemble textures with prominent rhythmic accompaniment
  • Articulation control across sustained and rhythmically active passages
  • Recognition of American concert band arranging conventions applied to a masterwork

You May Also Like