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First Book of Pop: Piano Book

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First Book of Pop: Piano Book

32 Arrangements for Beginning Pianists

Arr. Gayle Kowalchyk, E. L. Lancaster, and Christine H. Barden

Level: Elementary

Item: 00-39384

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Description
This first book of solos includes popular Christmas songs, popular hits, and popular praise songs. Written on the grand staff, melodies for the pieces are divided between the hands. All pieces include an optional duet part for parents or the teacher. If students are unfamiliar with the rhythmic notation, the rhythms can be quickly leaned by rote. Students can begin to play favorites after only a few weeks of study.

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Additional Details
Publisher: Alfred Music
Page Count: 80
ISBN10: 0-7390-9068-2
ISBN13: 978-0-7390-9068-8
UPC: 038081441481
SKU: 00-39384

More about this title

About the Arranger: Gayle Kowalchyk

Gayle Kowalchyk

Gayle Kowalchyk holds degrees in piano performance from Ohio University and Northwestern University, and earned an Ed.D. in piano pedagogy from Teachers College, Columbia University. She has taught class piano, piano, and piano pedagogy at California State University, Northridge, and previously served on the faculty at Eastern Illinois University, where she coordinated the class piano program and directed the piano preparatory program. A recognized clinician and adjudicator, she has presented at national conferences of the Music Teachers National Association, Music Educators National Conference, and the National Conference on Piano Pedagogy.

With her husband, Dr. E. L. Lancaster, Kowalchyk is the co-author of more than 300 educational piano books, including Alfred's Premier Piano Course and Music for Little Mozarts. She draws on decades of teaching experience across university settings and independent studio work to create repertoire that meets students where they are. She currently works as a clinician for Alfred Music in the Los Angeles area.

Why we love this

Elementary students progress fastest when they play music they recognize and love. This collection taps into that motivation immediately by pairing accessible arrangements with songs that resonate with young pianists. The optional duet parts give teachers and parents a meaningful way to support student practice while making rehearsals feel like music-making, not work.

What to expect

These arrangements capture the joy of playing songs you actually want to hear. The melodies sing across both hands, creating a sense of accomplishment as students realize they're playing real music, not just drills. There's a lightness and accessibility here that makes the piano feel inviting rather than intimidating.

Who it's for

This collection suits pianists in their first months of study who are ready to move beyond foundational exercises and play recognizable melodies. Students benefit from the manageable reading demands on the grand staff and the option to learn by ear if notation feels overwhelming. Parents and teachers looking for early repertoire that builds enthusiasm will find immediate success here.

How to get the most out of it

  • Work through the pieces by ear first if rhythmic notation feels unfamiliar; once students internalize the melody and harmonic shape through rote learning, the written notation becomes a tool to reinforce what they already know.
  • Use the duet part as a learning aid during lessons; have the teacher or parent take the accompaniment while the student focuses entirely on their right and left hand coordination.
  • Select one or two pieces to perform at student recitals early in the year; the familiarity of these songs builds confidence and creates an audience connection that motivates continued practice.
  • Balance the Christmas songs, pop hits, and praise songs across several weeks of study rather than clustering them; this variety keeps practice sessions fresh and gives students multiple styles to explore.

How to use it

Assign pieces from this book as supplementary repertoire alongside a primary method series during the first year of study. The duet parts make these ideal for group lessons or parent participation events where adults and students perform together. Select individual arrangements for early student recitals to build confidence and showcase progress to families.

Skills your students will build

  • Hand coordination between treble and bass clef on the grand staff
  • Reading melodic passages distributed across both hands
  • Learning rhythms through rote and notation simultaneously
  • Building familiarity with major and minor key signatures at the elementary level
  • Sight-reading within a manageable range of difficulty
  • Performance confidence through recognizable, engaging repertoire

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