Firework: String Orchestra Conductor Score & Parts

$54.00 USD

Firework: String Orchestra Conductor Score & Parts

Name: Firework: String Orchestra Conductor Score & Parts
Brand: Alfred Music
SKU: 00-38408
Price: 54.00 USD
Availability: InStock

Words and music by Katy Perry, Mikkel Eriksen, Tor Erik Hermansen, Sandy Wilhelm, and Ester Dean / arr. Todd Parrish

Grade: 2.5

Item: 00-38408

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"Firework," one of Katy Perry's most successful and inspirational songs has been arranged with optional drumset to rock the house. The modulation to G major makes it very playable, with all sections taking turns at both melody and harmony. First violins have the option to play in third position, while all other sections remain in first position. Students will not only be motivated by the catchy tune and energetic accompaniment, but they will also use staccato, brush stroke, and extensive slurring. This work will add a powerful moment to your next concert. (3:44)

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Series: Pop Beginning String Orchestra

Publisher: Alfred Music

Page Count: 148

UPC: 038081436630

SKU: 00-38408

More about this title

About the Composer: Katy Perry

Katy Perry is a singer and songwriter who has shaped contemporary pop music since the late 2000s. Her work is known for anthemic melodies, infectious rhythms, and themes of resilience and empowerment that resonate across audiences.

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Why we love this

Todd Parrish's arrangement captures the infectious energy of the original while making it genuinely playable for Grade 2.5 orchestras. The modulation to G major keeps everything accessible, yet the layered texture (with sections trading melody and harmony) gives students real musical responsibility without overwhelming them.

What to expect

Energetic and celebratory. The catchy melody and driving rhythm create an immediate sense of forward momentum, while the shared melodic work across sections keeps the texture engaging without feeling bloated. There's a confidence in this piece that's contagious.

Who it's for

String orchestras at the Grade 2.5 level looking for contemporary repertoire with genuine pop appeal. This arrangement works equally well for ensembles balancing classical training with the motivational boost of recognizable songs.

How to get the most out of it

Balance the staccato articulations across sections so the rhythmic drive stays crisp without sounding choppy; think of them as accents that propel the melody forward rather than detached notes.
Work the brush stroke figures in context with the drumset part. Even though the drums carry much of the accompanimental texture, the strings need to match that energy and feel like they're locking in with the groove.
Shape the extensive slurs with a full bow so the legato lines sing over the rhythmic foundation; avoid dragging through these phrases, which will flatten the forward motion.
If using first violins in third position, isolate that section in rehearsal to build confidence before full ensemble work. The shift to third position happens in a song this students already know, which helps them locate the new position.

How to use it

Place this in a concert where you want an emotional lift and a moment of pure fun. It pairs well with a classical opener and a chamber piece, giving the audience and your musicians a clear tonal shift and a chance to feel the energy of contemporary music.