Firescape: Brass Choir Score & Parts

Name: Firescape: Brass Choir Score & Parts
Brand: Alfred Music
SKU: 81-BC19114
Price: 30.00 USD
Availability: InStock

By David Marlatt

Level: Medium-Difficult

Item: 81-BC19114

$30.00

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Firescape by David Marlatt is the third piece in a series of "elements" inspired works. Through music it demonstrates the various characteristics of fire described by the titles of each section: "Hephaestus: God of Fire," "By the Glow of a Candle," and "Wildfire!" Hephaestus was the Greek god of fire and forges, and was blacksmith for the gods. The sound of his anvil can be clearly heard in this section. The smooth reflective middle section features solos for flugel horn, trumpet, and trombone before the percussion section takes over in the fast, energetic, and driving rhythms that bring this exciting work to a close.

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Series: Eighth Note Publications

Publisher: Eighth Note Publications

ISBN10: 1-77157-624-3

ISBN13: 978-1-77157-624-6

UPC: 685462026258

SKU: 81-BC19114

More about this title

About the Composer: David Marlatt

David Marlatt is a composer whose work spans instrumental and choral music, with a particular gift for writing accessible yet musically substantive pieces for student ensembles. His compositions have been performed at festivals and contests across North America, and his catalog includes works for band, choir, and brass that balance technical challenge with genuine musical expression.

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Why we love this

Marlatt crafts a narrative arc that unfolds across three distinct musical landscapes, giving your ensemble a story to tell rather than just notes to play. The thematic progression from mythological power through intimate reflection to raw elemental force creates natural pacing for a concert or contest, and the solo opportunities in the middle section showcase individual players while maintaining ensemble cohesion.

What to expect

Firescape moves from the raw, industrial clang of ancient mythology into a moment of warmth and intimacy before exploding into untamed energy. The progression feels almost visual, painting soundscapes that shift from forged metal to candlelight to raging flame.

Who it's for

This work suits brass choirs with a solid foundation in blend and intonation who are ready for medium-difficult technical and musical demands. It works equally well for a featured contest entry or a concert showcase piece, and offers something for every section without requiring virtuosic soloists.

How to get the most out of it

Emphasize the rhythmic precision in the first section to make the 'anvil' percussion effects punch through clearly; tight ensemble articulation sells the blacksmith imagery.
Give the flugel horn, trumpet, and trombone solos in the middle section room to breathe and shape their phrases lyrically; this section earns its reflective quality when soloists own their lines.
Build the final wildfire section with controlled dynamic momentum rather than pushing too hard too soon; let the driving rhythms accelerate the energy organically through the last section.
Balance the tutti brass chords so that inner voices (horns, baritone) anchor the harmony while outer voices (trumpets, tuba) define the melodic contour.

How to use it

Program this as a standalone contest or festival entry, or pair it with other works that explore natural or mythological themes to create a thematic concert segment. Its three-part structure and moderate duration make it a strong closing piece for a brass choir concert, especially if you want to leave the audience energized.