Fire the Torpedo! Cover Image

Fire the Torpedo!: Percussion Enemble Conductor Score & Parts

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Fire the Torpedo! Cover Image

Fire the Torpedo!: Percussion Enemble Conductor Score & Parts

By Tim Wimer

Grade: 2

Item: 98-SE1002

$24.95
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Description
Instrumentation (9 players): bells, xylophone, chimes, timpani, snare drum, bongos, aux. percussion (triangle, suspended cymbal, vibraslap, temple blocks, gong), bass drum, crash cymbals

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Additional Details
Series: FJH Solo and Ensemble
Publisher: The FJH Music Company, Inc.
UPC: 674398216185
SKU: 98-SE1002

More about this title

About the Composer: Tim Wimer

Tim Wimer has built a reputation as a composer and arranger who understands what works in the rehearsal room. His writing for percussion ensembles balances accessibility with genuine musicianship, making him a consistent presence in school music programs across the country.

Why we love this

Fire the Torpedo! delivers kinetic energy without sacrificing clarity. The piece gives every player a meaningful role, which means your ensemble stays engaged rather than waiting for the melodic instruments. At Grade 2, it's playable but never condescending.

What to expect

The title is honest. This piece moves forward with purpose and momentum, propelled by rhythmic interplay between pitched and unpitched percussion. It never settles into a groove; instead it keeps shifting weight from one section to another, building a sense of forward motion that keeps listeners curious about where it's headed.

Who it's for

Percussion ensembles at the intermediate level who have solid fundamentals but are still building independence across multiple instruments. This works well for groups with 8-10 players where you can assign one person per part without doubling.

How to get the most out of it

  • Define the pulse in rehearsal before adding texture. Have timpani and bass drum lock the heartbeat while other players sit out, then layer in the rest.
  • Balance the auxiliary percussion carefully. Temple blocks and vibraslap should punctuate the texture, not fight for the same space as the mallet instruments.
  • Shape the dynamic arc by tracking which players double each other at different moments. That doubling is your chance to push forward without changing the tempo.

How to use it

Schedule this early in a concert when you want to grab attention with something rhythmically driven. It also makes an excellent festival piece because it showcases percussionists as ensemble musicians rather than accompaniment, and the contained length works well for adjudicated events.

Skills your students will build

  • Reading and executing syncopated rhythmic patterns across multiple instruments
  • Maintaining independence while playing complementary rhythmic material
  • Balancing pitched and unpitched percussion in a mixed ensemble texture
  • Responding to conductor cues in a rhythmically complex environment
  • Executing clean stick and mallet work across timpani, xylophone, and auxiliary percussion

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