Fire Down Below (Medium High Voice), from Folk Songs for Solo Singers, Vol. 2 Cover Image

Fire Down Below (Medium High Voice), from Folk Songs for Solo Singers, Vol. 2: SoundTrax Digital Audio Download

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Fire Down Below (Medium High Voice), from Folk Songs for Solo Singers, Vol. 2 Cover Image

Fire Down Below (Medium High Voice), from Folk Songs for Solo Singers, Vol. 2: SoundTrax Digital Audio Download

14 Folk Songs Arranged for Solo Voice and Piano... For Recitals, Concerts, and Contests

Althouse

Item: 00-A-00015912

$4.99
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Additional Details
Series: For Solo Singers
Publisher: Alfred Music
SKU: 00-A-00015912

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was honored with the Distinguished Alumni award. His eight-year tenure in music publishing as a rights and licenses administrator gave him deep insight into the educational music landscape, and he served on the Executive Board of the Music Publishers Association of America during that period.

As a composer, Althouse has created more than 800 works for choirs across all levels, performed consistently throughout the English-speaking world. He holds membership in ASCAP and regularly receives the ASCAP Special Award for his standard music compositions. Beyond choral writing, he has compiled and arranged celebrated vocal solo collections including Folk Songs for Solo Singers, co-written children's musicals with his wife Sally K. Albrecht, and authored several classroom resources. His collaborative work I Hear America Singing was performed by the San Francisco Girls and Boys Choirs at President Barack Obama's Inauguration in 2009. Althouse serves on the National Advisory Board of the Folk Art Society of America and contributes articles to its quarterly publication.

Why we love this

Althouse's arrangements of traditional folk material strike a rare balance between accessibility and artistry. The medium-high tessitura makes this manageable for a wide range of singers without sacrificing the character and depth that make folk songs compelling in recital settings.

What to expect

Rooted and earthy, with the kind of melodic simplicity that carries genuine emotional weight. The medium-high range sits naturally for many voices while allowing the folk melody to sing with clarity and warmth.

Who it's for

Intermediate to advanced soloists preparing for recitals, auditions, or festival performances. This arrangement works well for singers building a diverse repertoire that spans classical, contemporary, and traditional American song.

How to get the most out of it

  • Approach the storytelling with conversational directness. Folk songs live in their authenticity, so let the narrative details emerge naturally rather than pushing for dramatic effect.
  • Use the SoundTrax accompaniment to establish the harmonic and rhythmic foundation, then step back and listen to how your voice sits within that texture. This helps you find the right balance between leading and blending.
  • Let the sustained notes breathe. Folk melodies often have longer phrases than contemporary vocal music, so plan your breath strategically and avoid rushing toward the next phrase.

How to use it

Pair this with other traditional or contemporary American song to create a recital section that explores folk-rooted material. It also works as a lighter programming choice following a more dramatic art song or aria, giving audiences a moment of directness and storytelling.

Skills your students will build

  • Authentic phrasing in traditional American song repertoire
  • Interpretation of narrative text with emotional subtlety
  • Accompaniment listening and integration with digital audio
  • Maintaining vocal clarity in folk melodies across the medium-high range

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