Fire Down Below (High Voice), from Folk Songs for Solo Singers, Vol. 2 Cover Image

Fire Down Below (High Voice), from Folk Songs for Solo Singers, Vol. 2: SoundTrax Digital Audio Download

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Fire Down Below (High Voice), from Folk Songs for Solo Singers, Vol. 2 Cover Image

Fire Down Below (High Voice), from Folk Songs for Solo Singers, Vol. 2: SoundTrax Digital Audio Download

14 Folk Songs Arranged for Solo Voice and Piano... For Recitals, Concerts, and Contests

Althouse

Item: 00-A-00015898

$4.99
Digital Download
Description

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Additional Details
Series: For Solo Singers
Publisher: Alfred Music
SKU: 00-A-00015898

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was later honored as a Distinguished Alumnus. His career spans both administration and composition; he spent eight years managing rights and licenses for a major educational publisher and served on the Executive Board of the Music Publishers Association of America. As a composer, he has created more than 800 choral works performed internationally, earning regular ASCAP Special Awards for his contributions to standard music.

Beyond composition, Althouse has shaped music education through compilation and arrangement work, notably the Folk Songs for Solo Singers series, and through collaborative projects with his wife Sally K. Albrecht, including children's musicals and the choral work I Hear America Singing, performed by the San Francisco Girls and Boys Choirs at President Obama's 2009 Inauguration. He has authored and co-written numerous classroom resources on music literacy, composer study, and vocal technique. Currently based in North Carolina, he serves on the National Advisory Board of the Folk Art Society of America and contributes regularly to its publications.

Why we love this

Althouse's arrangement draws from authentic folk material while crafting something genuinely rewarding to sing. The high voice setting sits beautifully in a range that encourages a lyrical, connected vocal line without forcing extremes, and the SoundTrax accompaniment gives singers the security of professional-quality backup without requiring a collaborative pianist.

What to expect

The tune carries the directness and emotional clarity of traditional folk material, with Althouse's arrangement honoring that simplicity while adding supportive harmonic texture. Singing it feels both grounded and expressive, connecting you to a living musical tradition rather than an artifact.

Who it's for

Solo singers preparing recital or festival repertoire who want a folk arrangement with strong melodic appeal and stylistic authenticity. This works well for high voice soloists (soprano, mezzo-soprano, high tenor, or countertenor) who are comfortable with English-language art song and want to include a folk selection in their program.

How to get the most out of it

  • Shape the melody by thinking of it in longer phrases rather than individual notes; let the folk tune's narrative arc guide your dynamics and breathing.
  • Balance the storytelling quality of the lyrics with the authenticity of the folk idiom; avoid over-sentimentalizing the arrangement.
  • Use the SoundTrax accompaniment in early rehearsals to lock in your part securely, then sing through without it occasionally to strengthen your independence and musical ownership.

How to use it

Include this in a recital to add folk repertoire variety without sacrificing artistry or musical substance. It pairs naturally with other collected folk songs or American songbook material, and its recital-ready quality makes it ideal for competition or festival use where you need repertoire that is both approachable and musically substantial.

Skills your students will build

  • Sustaining legit through an extended melodic line in English
  • Interpreting text with folk authenticity and emotional restraint
  • Working with professionally recorded accompaniment for accuracy and independence

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