Fingerprints for Violin and Piano, Grade 1-4 Cover Image

Fingerprints for Violin and Piano, Grade 1-4: Violin & Piano Book

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Fingerprints for Violin and Piano, Grade 1-4 Cover Image

Fingerprints for Violin and Piano, Grade 1-4: Violin & Piano Book

Arr. Mary Cohen

Level: Elementary / Intermediate

Item: 12-0571522580

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Description
This volume of fourteen pieces for violin is a great collection of original, new music for beginner to intermediate players (Grade 1-4). Music written by 'real people' who go about their daily business in much the same way as the rest of us, eating breakfast, feeling tired and with a selection of favorite things. Each composer has tried to capture the essence of what makes them who they are and have left it a musical fingerprint for you to discover.

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Additional Details
Series: Faber Edition: Fingerprints
Publisher: Faber Music
ISBN10: 0-571-52258-0
ISBN13: 978-0-571-52258-3
SKU: 12-0571522580
Instrumentation: Violin & Piano

More about this title

About the Arranger: Mary Cohen

Mary Cohen

Mary Cohen brings decades of experience in string pedagogy to every piece she writes. Her career spans performance with the City of Birmingham Symphony Orchestra, extensive teaching practice that serves as a laboratory for educational innovation, and work as a technical consultant and composer for the Associated Board of the Royal Schools of Music's Music Medals project since 2001. She holds degrees from the Royal College of Music in violin, piano, chamber music, and composition, and has earned recognition as an educational composer with over sixty string publications in worldwide use by major examining bodies.

Chamber music sits at the heart of Cohen's philosophy; she introduced it from the beginning of instrumental study long before it became standard practice, and founded String Quartets From Scratch to make ensemble playing accessible to young musicians aged 7-18. Her teaching approach honors each student's individual learning style while building technical skills through carefully sequenced repertoire that balances genuine musicality with immediate appeal. She regularly leads seminars internationally and continues to shape how string teachers introduce new concepts and foster both musical growth and the joy of playing together.

Why we love this

These pieces offer something rare: original music written by working musicians who understand the lived experience of their audience. Rather than abstract exercises or watered-down arrangements, each piece captures a genuine musical fingerprint rooted in the composer's own world. Cohen's curation ensures the collection balances technical progression with immediate musicality, so students encounter pieces they actually want to play and audiences genuinely enjoy hearing.

What to expect

Opening this collection feels like being invited into the worlds of fourteen different musicians. Some pieces are playful and bright; others are reflective or tender. The music breathes with personality in ways that method-book studies cannot. Students encounter varied moods, styles, and character pieces that reward listening as well as playing.

Who it's for

Violin students at the elementary to intermediate level (grades 1-4) who are ready to move beyond method-book repertoire into genuine musical literature. Teachers seeking a collection that builds technical skills while introducing young musicians to living composers and new music in an accessible context will find this especially valuable.

How to get the most out of it

  • Encourage students to research and discuss the composer behind each piece before learning it. Understanding that these works come from 'real people' deepens engagement with the music and transforms a technical exercise into a story worth telling.
  • Pay attention to the piano part as a character in the music, not mere accompaniment. These pieces often feature dialogue between violin and piano; rehearse them together early and often.
  • Honor the intimate scale of these works. They need not fill a concert hall; they shine in chamber settings, student recitals, and informal showcases where the personal voice of each composer comes through clearly.

How to use it

Feature individual pieces at student recitals or studio showcases to celebrate both the young violinists and the composers whose work shaped the pieces. The variety within the collection supports programming an entire concert of Fingerprints material, or you might select specific pieces to pair with classical repertoire on a mixed program and highlight the diversity of violin literature available today.

Skills your students will build

  • Reading and interpreting character markings and expressive indication specific to each composer's voice
  • Understanding form and structure in shorter concert pieces
  • Collaborative listening and response to piano counterline
  • Stylistic flexibility across varied musical textures and moods
  • Approaching newly published contemporary music with confidence

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