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Fingerprints for Alto Saxophone and Piano, Grade 1-4: Alto Saxophone & Piano Book

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Fingerprints for Alto Saxophone and Piano, Grade 1-4 Cover Image

Fingerprints for Alto Saxophone and Piano, Grade 1-4: Alto Saxophone & Piano Book

Selected by William Bruce

Item: 12-0571522572

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Description
Expand your musical scope and your performance repertoire in new worlds of expression with a special selection of 14 contemporary works, all written by some of today's celebrated composers.

Here's your chance to learn some music by real, living composers - not just those only known by their surnames who died long ago! The musical styles are diverse and exciting, from elements of ragtime and dance to a sombre and gently sad melody, and each piece features a full piano accompaniment.

Perhaps you might even be inspired to start composing some new music of your own!

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Additional Details
Series: Faber Edition: Fingerprints
Publisher: Faber Music
ISBN10: 0-571-52257-2
ISBN13: 978-0-571-52257-6
SKU: 12-0571522572
Instrumentation: Alto Saxophone & Piano

More about this title

Why we love this

This collection pairs young saxophonists with music by living composers, shifting the conversation away from historical figures to artists actively writing today. The stylistic range within these 14 pieces means your students encounter ragtime grooves, lyrical passages, and contemporary expressions without leaving one book, making it a genuine tool for broadening musical vocabulary rather than a sampler.

What to expect

Opening this collection feels like stepping into a living musical conversation rather than a museum. The pieces range from playful and rhythmically nimble to introspective and gently melancholic, with contemporary harmonic language that never talks down to young players but speaks to them directly.

Who it's for

Alto saxophonists in grades 1 through 4 who are ready to branch beyond traditional method book repertoire and encounter the work of contemporary composers. This book serves both private studio teachers seeking performance pieces and young players preparing for recitals or ensemble concerts.

How to get the most out of it

  • Listen to how the piano part shapes each piece before diving into your own part; these accompaniments are scored with personality and offer clues about articulation, phrasing, and character that will inform your interpretation.
  • Work the technical passages slowly enough that you're matching the piano's harmonic rhythm, especially in the contemporary works where vertical clarity matters more than speed.
  • Pay close attention to the contrast between adjacent pieces; moving from a ragtime-inflected section to a somber melody demands a genuine shift in tone production and dynamic control.

How to use it

Select pieces from this book for student recitals throughout the year, pairing them with classical or baroque selections to highlight how contemporary composers approach familiar forms. The tonal and stylistic variety also makes it ideal for demonstrating musical diversity in a single concert or studio showcase.

Skills your students will build

  • Interpreting contemporary harmonic language and non-traditional chord progressions
  • Adapting articulation and tone color across diverse musical styles (ragtime, lyrical, contemporary)
  • Collaborating with a piano accompanist and responding to harmonic and rhythmic cues
  • Reading with confidence across a range of notational styles and expressive markings
  • Building performance repertoire beyond standard method book material

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