Finger Exercises Made Easy, Level 2 Cover Image

Finger Exercises Made Easy, Level 2: Piano Book

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Finger Exercises Made Easy, Level 2 Cover Image

Finger Exercises Made Easy, Level 2: Piano Book

By Lina Ng

Item: 12-MPF400102

$7.50
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Description
The second in a series of books by Lina Ng which helps develop flexible fingers and improve technique for the young piano beginner. Other activities include rhythm clapping, singing, body movement to music, percussion and solfge. There is also a test at the end of the book to assess the ability of the child.

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Additional Details
Series: Faber Edition
Publisher: Faber Music
SKU: 12-MPF400102

More about this title

Why we love this

Lina Ng understands that young pianists need more than finger drills to stay engaged. This book weaves technique-building into a genuinely musical experience by anchoring finger work with rhythm activities, singing, movement, and even solfège, so students develop flexibility without the tedium of isolated exercises.

What to expect

Finger Exercises Made Easy keeps learning playful and whole-body. Students feel progress through tangible hand strength and control while staying engaged with music and movement, not just repetitive patterns on the keyboard.

Who it's for

Young pianists in their early second year of study who have mastered basic hand position and are ready to build genuine finger independence and flexibility. This book works well for students ages 5-8 who learn best when technique is embedded in singing, movement, and rhythm work rather than isolated drills.

How to get the most out of it

  • Clap the rhythms aloud before students play them. This separates rhythm literacy from hand position work and builds confidence in both areas at once.
  • Incorporate the body movement and percussion activities exactly as presented. They break up screen-and-keys time and reinforce pulse and coordination through the whole body.
  • Use the end-of-book assessment as a genuine checkpoint, not a pass-or-fail moment. It shows you where finger independence is solid and where a student might benefit from revisiting earlier exercises.

How to use it

Assign this as the core supplementary work between repertoire pieces and technique studies. The variety of activities means you can use different sections in different weeks, rotating focus between finger drills, solfège, and movement work to match your student's development and attention span.

Skills your students will build

  • Finger independence and flexibility on the keyboard
  • Rhythm reading and clapping in simple and compound meters
  • Solfège singing and pitch awareness
  • Coordination between hand movement and pulse
  • Basic performance assessment and self-evaluation

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